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Endoparazitární infekce ve farmovém odchovu bažanta obecného (Phasianus colchicus) a orebice rudé (Alectoris rufa) (Galliformes: Phasianidae) / Endoparasitic infections in farmed ring-necked pheasant (Phasianus colchicus) and red-legged partridge (Alectoris rufa) (Galliformes: Phasianidae)Máca, Ondřej January 2016 (has links)
The entire infection process was monitored over four seasons (2012-2015) by a targeted and systematic study of ring-necked pheasants and red-legged partridges from an intensive artificial breeding programme in the Czech Republic, with focus on studying the transmission dynamics throughout the breeding process, from hatching up to release of birds to open area, in connection with timing of appropriate and effective application of drugs. 1752 pooled excrement samples were examined (745 from pheasants and 1007 from partridges). Post-mortem examinations were performed on 625 dead birds (514 pheasants and 111 partridges). Main infections of A. rufa and P. colchicus comprised representatives of the protozoa genera Eimeria and Cryptosporidium; as well as nematodes Capillaria
s.l., Heterakis gallinarum and Syngamus trachea.
Identification of oocyst isolates of Cryptosporidium baileyi, C. meleagridis anf C. galli were supported
and characterized by nested PCR of heat shock protein 70
(HSP70), actin and 60 kDa glycoprotein (GP60) genes.
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Museu da Imagem e do Som de São Paulo: o processo de criação e as diretrizes iniciais (1970-1980) / Museum of Image and Sound de São Paulo: the creation process and the initial guidelines (1970-1980)Lenzi, Isabella Rodrigues 26 March 2019 (has links)
O objetivo desta dissertação é realizar uma revisão crítica da primeira década do Museu da Imagem e do Som de São Paulo (MIS). Criado em 1970, foi um dos primeiros museus do Brasil a dedicar-se à produção e preservação de material audiovisual reprodutível. O projeto museológico idealizado para o MIS, baseado na formação de um acervo documental e na difusão de novas mídias, será apresentado e discutido. O intuito é avaliar em que medida as diretrizes iniciais do museu, que surge em plena ditadura militar, foram postas em prática durante a gestão de seu primeiro diretor, Rudá de Andrade (1970 - 1980). Parte-se da hipótese de que apesar das diversas mudanças de sede, das dificuldades orçamentárias e de um quadro de funcionários reduzido, o MIS consolidou um espaço pioneiro e experimental, voltado para a produção e difusão de conteúdo e conhecimento e desenvolveu uma programação coerente com o projeto redigido em sua criação. Foram consultadas distintas fontes, muitas delas tornadas públicas por meio desta pesquisa. Espera-se com esta dissertação contribuir para o estudo dos museus e das políticas públicas na área da cultura desenvolvidas no Estado de São Paulo na segunda metade do século XX. / This dissertation aims to build a critical review of the first decade of the Museum of Image and Sound (MIS) of São Paulo. Created in 1970, it was one of the first museums in Brazil dedicated to the production and preservation of reproducible audio-visual material at the time. The museological project conceived for MIS, which is presented and discussed here, intends to establish a documentary archive and broaden new media awareness. The aim is to analyse the extent to which the initial guidelines of the museum, which emerged during the military dictatorship, were put into practice during the management of its first director, Rudá de Andrade (1970 - 1980). It is assumed that despite the various changes in headquarters, budgetary difficulties and a reduced staff, MIS consolidated a pioneering and experimental venue focused on the production and dissemination of content and knowledge, and developed a program in accordance with its foundational project. Several sources were consulted, many of them made public through this research. This dissertation is expected to contribute to the study of museums and public cultural policies in the State of São Paulo in the second half of the twentieth century.
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Uniforma Rudé armády: vojenské oděvy mužstva a mladšího velitelského sboru 1936 - 1946 / The Uniform of the Red Army: Military Attire of the Ranks and the NCOs 1936 - 1946Prior, Tomáš January 2016 (has links)
(in English): Second World War is a very well researched conflict favoured by historians and non-professional enthusiasts alike. Despite its popularity even this subject leaves many areas blank. Areas which were either completely omitted by researches or not studied thoroughly enough. One of these areas is a production technology of Red Army military uniforms. The aim of the thesis is not to merely describe the patterns of military uniforms but to outline the subject with regard to textile industry and chemistry (dyeing). After the critical evaluation of accessible information thesis was based exclusively upon primary sources - manufacturing instructions of the period and specialized literature. All secondary sources were deliberately excluded. The findings proved that specific manufacturing instruction of the period enables the researcher to produce virtually any garment. At the same time established deficiencies are not insolvable. The question which shade of khaki was used in dyeing fabric for uniforms still remains unanswered. A lot of facts established in discipline of textile materials and textile colours are contradictory to generally accepted image of the Read Army soldier which has been formed by cinematography and secondary literature for decades.
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Druhá světová válka v Novém Městě nad Metují / Second World War in Nove Mesto nad MetujiKoudelková, Lucie January 2017 (has links)
The thesis " The Second World War in Nove Mesto nad Metuji" puts the main focus on years 1935-1945. The largem space is devoted to the Second World War and Protectorate of Bohemia and Moravia. The text is divided into fourteen chapters, each chapter describes a separate topic. There information about prewar conditions, war situation, economy or culture. The emphasis is on resistance in Nove Mesto nad Metuji and victims. The thesis describes also coexistence od Czechs, Jews and Germans.
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Obraz sovětské Dělnicko-rolnické rudé armády ve filmu / The Image of the Soviet Workers and Peasants Red Army on the Big ScreenKřišťan, Vlastimil January 2018 (has links)
The Author in his work deals with the transformation of the image of members of the Workers' and Peasants' Red Army in a film during the 20th century. Initial chapters are devoted to general aspects of use of movies in Memory studies and the development of the film industry in the USSR. The main part of the work focuses primarily on image of the Workers' and Peasants' Red Army in film of Soviet origin, the use of symbols and images and propaganda frameworks of Soviet filmmaking during the "short" 20th century, extending to the period after 1989 and examining the surviving Soviet discourse in it. To process the author uses Ego documents, contemporary press, studies, monographs and publicated archival sources.
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Konec války, Litoměřice v roce 1945 / The End of the War, Litoměřice in 1945Bursíková, Barbora January 2017 (has links)
This master's thesis focuses on year 1945 and events in Litoměřice town. Especially events in the town itself in spring the same year, upcoming revolt in the nearby village Žitenice, situation both the German and the Czech population, their reaction to the forthcomig end of the war and last efforts of occupiers to hold the town. There will be briefly mentioned also the history of the Nazi occupation of Litoměřice. Special attention will be paid to the concentration camp Litoměřice. Here I will build on my previous barchelor thesis, in which I mentioned the liberation of the concentration camp in one chapter. I will complete and extend aforementioned events. Attention will be paid, among other things, also to the way how the end of the war enrolled to lives of prisoners themselves. I will try to reconstruct all from archival materials and literature and mainly from memories of civilians and prisoners of the concentration camp in a similar way as in my previous bachelor thesis.
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Výběr cílů teroristických skupin: Případy Óm šinrikjó a Japonské rudé armády / How terrorists pick their targets: Cases of Aum Shinrikyo and the Japanese red armyHromádková, Klára January 2019 (has links)
Although Japan is not a state which would often be associated with terrorist attacks, several extremist and terrorist groups formed in the country in the second half of the 20th century. One of them was the ultraleft terrorist organization called Japanese Red Army, which was founded in the 1960s as a part of the student leftist movement, and the second was Aum Shinrikyo, a religious millenarian organization founded in the economically prosperous 1980s as one of the so-called new new religious groups. Both these groups, circumstances of their establishment and the way they chose targets of their terrorist attacks are the studied subjects of this work. The first part of this study focuses on the theoretical description of terrorism. In the following chapters, I focus on both groups, specifically on two selected terrorist attacks, in which I examine the influence of the following factors on the choice of their targets: ideology, quality of leadership, quantity and quality of members, weapons available and financial base. Concerning the Japanese Red Army, the thesis focuses on the terrorist attack on the Lod airport (1972) and the attack on the U.S. and Swedish Embassy in Kuala Lumpur (1975), regarding Aum Shinrikyo, it is the attack on the Sakamoto family (1989) and the Tokyo subway sarin attack...
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Historie českého (československého) reenactingu / History of the Czech(oslovakian) reenactingProcházka, Filip January 2013 (has links)
The goal of this thesis is to do research , as wide as possible, in the most popular part of hobby named reenacting or reenacting (Napoleonic era, Austro-Prussian Wars, American Civil War, Second World War and some new topic - Czechoslovak Peoples Army, Royal Air Force and Czechoslovak Policemen before WW2). Thats mean commemoration and re-enactment of military history and military units in whole its history from time before 1989 to the future. I tried to find grounds of this hobby and describe development of it. As I expected, progress of this hobby or movement is larger, but this hobby existed before 1989 too. Reenactors reenacted and portrayed older conflicts as Napoleonic and Austro-Prussian war. Future reenactors were mainly fencers and tramps. Year 1989 was turning point for all reenactors. Theirs hobby is legal, it is possible to travel, to unite, to ground living history groups, own weapons, speak about all part of our history. It was possible to share and search information, regulation with and in foreign countries, foreigners and archives and museums. Main goal of reenactors is to portray theirs archetypes as good as possible. Public can see not only reconstruction of battles, but open air exhibition - "very interactive museums". This thesis can't be described as "Complete, all history of...
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