This paper discuss the main reasons behind selection criteria indigitistion and accessibility of phonogram at three departments atStatens musikverk (the Swedish performing arts agency). The threedepartments – Svenskt visarkiv (The swedish folk archive), Capricerecords and Elektronmusikstudion (center for electronic music andsound art) – are in different ways working with musical culturalheritage and the purpose is to analyze what underlying factors decidesthe selection criteria process in digitisation and accessibility of therecordings from the departments archives.At first i give some basic facts about phonogram history and nationaland international sound archives and the history of Statens musikverkand the departments, all public authorities. The emperical material, aninformant interview and e-mail interviews, and qualitative documentstudies, is discussed in relation to the theorethical framework createdby Sanna Talja.Based on Taljas perspectives, general education, alternative anddemand, and her discourses about culture and society, i discussdifferent key factors that is important in the selection criteria process,among them the conception cultural heritage, national cultural policy,quality, education, the global music industry, reserach strategies, usercategories and demand.

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Mitt arbete handlar om redan från de att jag startade mitt eget band Ridge fram tills dess att vi släppte vår debutskiva Same Ground. Om att våga göra musik från sitt hjärta,att tveka,kämpa,repa,spela in och att släppa skiva på eget bolag. Det handlar också om min uppväxt och hur det påverkat mig. Jag skriver reflekterande om processen. / <p>Bilaga: 1 CD</p>

Une terre exotique aux moeurs archaïques, peuplée de bandits et marquée par la vendetta : c'est ainsi qu'a principalement été représentée la Sardaigne, pendant de nombreuses années, par un cinéma dit “sarde” s‟inspirant des classiques de la littérature deleddienne et de certains faits divers, et le plus souvent réalisé par des non Sardes. L‟image de l'île et des ses habitants a été forgée par le recours à un grand nombre de stéréotypes, parfois perçus comme outranciers par les spectateurs sardes. À la fin des années 80 apparaissent les premiers signes significatifs d‟une “réappropriation” du cinéma sarde par les Sardes eux-mêmes. Progressivement (et surtout dans les années 2000), plusieurs réalisateurs proposent de nouvelles approches des représentations filmées de leur île, jusqu‟à la constitution plus ou moins consciente d‟un mouvement non officiel appelé “nouveau cinéma sarde” : G. Cabiddu, G. Columbu, P. Sanna, S. Mereu et E. Pau en sont les représentants. Cette étude se propose d‟analyser, par le traitement des oeuvres significatives et une approche sociologique du mouvement, le phénomène collectif du “nouveau cinéma sarde” et les démarches individuelles des auteurs qui le composent, plaçant l‟identité au coeur de la question. Partant du modèle imposé par la littérature et le cinéma relatifs à la Sardaigne, les “nouveaux” cinéastes sardes ont su créer une cinématographie sarde basée sur l‟interprétation et la ré-élaboration des stéréotypes, dans une démarche visant à offrir une nouvelle vision de l‟île, de ses habitants et de leurs pratiques, à une instance spectatorielle hétérogène, à travers les différentes formes de distribution de leurs oeuvres. / An exotic territory with archaic standards, populated by bandits and marked by vendetta : this is how has mainly been represented Sardinia for many years, by so called “Sardinian” movies inspired by the classics of deleddian literature and some news items, usually directed by non-Sardinians. The image of the island and its people was forged by using a large number of stereotypes, sometimes seen as outrageous by Sardinian spectators. In the late 80‟s had appeared the first significant signs of a Sardinian cinema “reappropriation” by the Sardinians themselves. Progressively (and especially in the 2000‟s), several directors propose new approaches to filmed representations of their island, until the more or less conscious constitution of an informal movement called “new Sardinian cinema” : G. Cabiddu, G. Columbu, P. Sanna, S. Mereu and E. Pau are its main representatives. This study aims to analyze, through the treatment of major works and a sociological approach to the movement, the collective phenomenon of “new Sardinian cinema” and the individual efforts of the authors who make it up, placing the identity to the heart of the matter. Leaving from the model imposed on Sardinia by literature and cinema, the “new” Sardinian directors have created a Sardinian film-making based on the interpretation and re-development of stereotypes, whose wants to offer a new vision of the island, its people and their practices, to a heterogeneous spectatorial instance, through the various forms of distribution of their works.

The purpose of this study is to describe and analyzes how the bookmobile librarians approach to purchase and selection and the range of views that may exist. The study is based on a qualitative method using a document study and three interviews included. The document study looking closely at public libraries library plans in Vastra Gotalands county. The qualitative interviews gets a closer look at librarians´approach regarding the purchase and selection and also if there are any similarities or differences between mobile library activities versus the main library.The theoretical framework is based on Sanna Taljas study where she has identified three different perspectives on the library´s music department. These are categorized as the interpretative repertoires and involves three categories of approach to quality. These are the general education repertoire, the alternative repertoire and the demand repertoire.The result of this study shows that librarians have a strong user focus when it comes to purchase and selection. They assume and takes into account all three perspectives of which the demand-driven approach seems to be the most dominant in the mobile library. The bookmobile and the main library seem to complement each other in a good way. The document study shows that mobile library activities is rarely highlighted in library plans. / Program: Bibliotekarie

The aim of this thesis is to examine how librarians are workingwith the selection and purchase of feature films in Swedish publiclibraries. I was interested in examining the underlying reasonsbehind the selections. I chose to focus on how librarians areworking and reason about the library´s film collection.The purpose of my study is to answer the following questions:• How are librarians working with selection and purchase offeature films in the public library?• What factors motivate librarians´ selection of featurefilms?• What do librarians reason about the public library filmcollection?To answer these questions I performed interviews with sevenlibrarians in five different public libraries. The results of theinterviews have been analyzed on the basis of the theories andtheoretical model of Sanna Talja. I used a translated and modifiedversion of Talja´s model in my analysis.Results showed that the economy was a factor influencing theselection and purchases of films. The accessibility to the films wasanother factor that influenced the librarians. Librarians can onlypurchase films with licenses that can be lent to borrowers.Librarians have to purchase films from the contracted sources.Most of the librarians strive to that the library should have a variedfilm collection. They buy both old films as classics but also morerecent films. Some also buy narrower films as an alternative to thecommercial films / Program: Bibliotekarie

Diploma thesis describes the slection of supplier of testing services for Everest project at Raiffeisenbank a. s. with aid of methods of multi-criteria decision and operation research. Thesis compares achieved results with the decision made in real tender realised in year 2010. Solution deals with two approaches via operation research. For the first round of tender were used three methods of multi-criteria evaluation of alternatives, WSA, TOPSIS and ELECTRE III. According to the results of each method were chosen suppliers who advanced to the next round. Second round operates with prices of particular phases of project and discounts offered by suppliers. Solution uses modified model of Reverse Auction. Calculations were supported by program packages SANNA and LINGO. Diploma thesis proved usability of mathematical modelling of multi-criteria decision task as support for management decision in real life business.

Just nu är över 60 miljoner människor på flykt i världen. Ungefär hälften av dessa är barn. Elever i Sveriges skolor möter nästan dagligen flyktingar på ett eller annat sätt, antingen personligt eller genom nyheter och sociala medier. Det är av vikt att de har kunskaper att kunna bemöta människor som är eller har varit på flykt. Problemorienterade böcker är ett sätt att behandla problematiska ämnen på ett mer sofistikerat sätt med eleverna. I den här uppsatsen jämförs och analyseras två valda bilderböcker som båda berör ämnet flykt.Böckerna som valts är Flykten och Trolleri med Karam Nadjar. Syftet med uppsatsen är att undersöka hur barn på flykt framställs i de valda böckerna. Vidare är syftet att utifrån analysen se hur böckerna kan användas i undervisningen för att ge elever kunskaper om barn på flykts livssituation. Resultatet visade att barnen i de valda böckerna framställs på olika sätt. Barnen i Flykten är på flykt just nu och stöter på hinder och motgångar varje dag. De vill inte fly men mamman bestämmer. I boken Trolleri med Karam Nadjar leds handlingen av Karam som kommit till Sverige och precis börjat i en svensk klass. Han kan inte det svenska språket men låter inte det hindra honom. Han längtar efter att få flytta ifrån flyktingförläggningen och få en lägenhet där han och hans mamma kan bo. Båda böckerna kan användas i ett klassrum för att behandla frågor om flykt. Böckerna uppmuntrar båda till olika diskussionsämnen som kan ge Sveriges elever kunskaper om flyktingbarns livssituation.

The main goal of diploma thesis is the evaluation of the position of Všeobecná zdravotní pojišťovna in the system of czech health insurance companies by application of multiple criteria decision making methods. Health insurance companies are compared by provided benefits. Analysis is concentrated on three groups : the general public, women and men.

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