Inaug.-Diss.--Tübingen. / Lebenslauf.

Inaug.-Diss.--Berlin. / Lebenslauf. "Litteratur": p. [6].

Issued also as Thesis (Ph. D.)--Johns Hopkins University. / Bibliography: p. 109-111.

The purpose of this thesis is to follow the artistic development of Scipio Slataper, a young Italian writer at the dawn of the twentieth century and to discuss his literary achievements from the early writings to the works that mark the peak of his literary career. In chapter one, the activities of Slataper with "La Voce", one of the leading literary journals; of the period, will be discussed. The cultural personalities involved in this journal were responsible for major changes brought about in modern Italian literature. Chapter two will be devoted to Slataper's correspondence with three young ladies of the period. The collection of these letters, destined to become a book, constitutes and interesting document of the intimate life of the artist, his loves, fear, frustration and triumph over disillusionment. The third chapter will focus on the later relationship Slataper had with the writers who contributed to "La Voce" and will show the increasing friction and final rupture of this group. The fourth chapter will deal with "II mio Carso", one of the major works of Slataper and an original contribution to the development of the narrative forms in modern Italian literature. The fifth chapter will offer an evaluation of Slataper's career as a writer and critic which culminates in his major work: "Ibsen". Slataper's essay views the life of the Norwegian dramatist, not through the sharp instruments of the critic, but rather through the sensitivity of another artist. / Arts, Faculty of / French, Hispanic, and Italian Studies, Department of / Graduate

Thesis (Ph. D.?)--Utrecht, 1945. / "Stellingen": [2] p. inserted. Includes bibliographical references (p. 151-156).

The Second Punic War, fought between the Romans and Carthaginians, lasted for seventeen years. During this time the Carthaginians inflicted several devastating defeats upon Roman armies. In addition to the cost in human lives, these defeats left a legacy of shame which the Romans were anxious to extirpate. An important part of this process lay in the public perception of these events, and the ones most responsible for shaping this perception were the historians who recorded and wrote about them. Historiography in Rome was in its infancy as the Second Punic War drew to an end, and none of the accounts written by men who lived through the war have survived intact. The fullest and most detailed account of these years is that of Livy who, writing two centuries later, inherited the fruits of two centuries of historiography on the subject. Yet contrary to the belief that has persisted too long, Livy was not merely a collator and copyist, but a moralist and an artist with a vision of his own. For Livy, the period of the Second Punic War represents the Romans at their greatest, before the evils of foreign immorality and luxury took root and led eventually to the excessive greed and intense rivalry which tore the state apart. Thus it is not only patriotism, but also nostalgia, that colours Livy’s memorable presentation of these events and the people involved. Nobody denies Livy’s literary artistry, but it is the choices he has made in his interpretation of people and events that are of more interest to me. It was Livy’s cherished belief that the Romans of old, exemplars of courage and strict morality, were well nigh unbeatable in a fair fight, which makes the presentation of episodes of defeat and disgrace so much more challenging for him. A close examination of the ancient evidence, and in some cases a re-evaluation of modern perceptions concerning episodes of defeat and disgrace and the people involved, has allowed me to better grasp the extent of Livy’s artistic licence and reinterpretation. The evidence and opinions of Polybius have played a crucial role in this process, not only because of his closer proximity to the events in question, but because Livy is known to have read and used his work. Polybius’ influence on Livy’s later decades concerning Rome’s involvement with Greek states is undeniable, but although Polybius wrote about the Second Punic War also, Livy has remained remarkably independent of Polybius’ account. A comparison of these accounts reveals the difference in the choices made by each author and serves to illuminate what makes Livy’s history his own.

The Second Punic War, fought between the Romans and Carthaginians, lasted for seventeen years. During this time the Carthaginians inflicted several devastating defeats upon Roman armies. In addition to the cost in human lives, these defeats left a legacy of shame which the Romans were anxious to extirpate. An important part of this process lay in the public perception of these events, and the ones most responsible for shaping this perception were the historians who recorded and wrote about them. Historiography in Rome was in its infancy as the Second Punic War drew to an end, and none of the accounts written by men who lived through the war have survived intact. The fullest and most detailed account of these years is that of Livy who, writing two centuries later, inherited the fruits of two centuries of historiography on the subject. Yet contrary to the belief that has persisted too long, Livy was not merely a collator and copyist, but a moralist and an artist with a vision of his own. For Livy, the period of the Second Punic War represents the Romans at their greatest, before the evils of foreign immorality and luxury took root and led eventually to the excessive greed and intense rivalry which tore the state apart. Thus it is not only patriotism, but also nostalgia, that colours Livy’s memorable presentation of these events and the people involved. Nobody denies Livy’s literary artistry, but it is the choices he has made in his interpretation of people and events that are of more interest to me. It was Livy’s cherished belief that the Romans of old, exemplars of courage and strict morality, were well nigh unbeatable in a fair fight, which makes the presentation of episodes of defeat and disgrace so much more challenging for him. A close examination of the ancient evidence, and in some cases a re-evaluation of modern perceptions concerning episodes of defeat and disgrace and the people involved, has allowed me to better grasp the extent of Livy’s artistic licence and reinterpretation. The evidence and opinions of Polybius have played a crucial role in this process, not only because of his closer proximity to the events in question, but because Livy is known to have read and used his work. Polybius’ influence on Livy’s later decades concerning Rome’s involvement with Greek states is undeniable, but although Polybius wrote about the Second Punic War also, Livy has remained remarkably independent of Polybius’ account. A comparison of these accounts reveals the difference in the choices made by each author and serves to illuminate what makes Livy’s history his own.

Thesis--Göttingen.

No description available.

Univ., Diss. u.d.T.: Marks, Raymond: Scipio Africanus in the Punica of Silius Italicus--Teilw. zugl.: Providence, 1999.