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Into simple channels: The rebellion of Budd SchulbergUnknown Date (has links)
"The purpose of this paper is to bring into focus a picture of Budd Schulberg's life in relation to his work since both the man and his work are of concern to a librarian. Schulberg's books are widely read in this country and throughout the world. Many biographical and autobiographical articles have appeared; but they have been scattered in a wide variety of periodicals, newspapers, and standard biographical reference sources. All of his books have been reviewed and discussed, but never as a complete, related body of work. There has been no previous attempt to gather all information about him and his writing into one informative, interpretive source"--Introduction. / Typescript. / "August, 1958." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Arts." / Advisor: Ruth H. Rockwood, Professor Directing Paper. / Includes bibliographical references (leaves 41-56).
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Be(coming) reel independent woman : an autoethnographic journey through female subjectivity and agency in contemporary cinema with particular reference to independent scriptwriting practice /Sexton-Finck, Larissa. Sexton-Finck, Larissa. January 2009 (has links)
Thesis (Ph.D.)--Murdoch University, 2009. / Thesis submitted to the Faculty of Creative Technologies and Media. Includes the screenplay, Float, by Larissa Sexton-Finck. Includes bibliographical references.
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Strutture drammaturgiche e tecniche di scrittura del cinema americano classico : casi di intertestualità tra teatro e cinema / Dramaturgic Structures and Screenwriting Techniques in the Classical American Cinema. Intertextuality Cases Between Theatre and Cinema.CHIARULLI, RAFFAELE ROSARIO 26 June 2012 (has links)
Questa tesi è un’esplorazione dei rapporti tra il segno teatrale e il segno cinematografico attraverso la prospettiva degli sceneggiatori e della sceneggiatura nel cinema hollywoodiano classico. Presenta problematiche che riguardano la sceneggiatura come pratica, forma d’arte, oggetto di discussione, mezzo di espressione e risultato di una messa in campo di propositi, valori e significati. / This doctoral thesis is an analysis of the relationships between the
"theatrical sign" and the "cinematographic sign" from the perspective of
screenwriters and of Classic Hollywood screenwriting. It introduces issues
related to screenwriting as practical activity, form of art, subject of
discussion, system of communication, and as the result of a negotiation of
aims, values and meanings.
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The Renaissance Era of Television: Exploring Pioneer Screenwriters Behind Psychologically Empowered Female CharactersDodge, Stacey January 2020 (has links)
No description available.
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Write or Perish : How Screenwriters Author their CareersMagnéli, Johan January 2015 (has links)
The aim of the present study was to investigate how the impermanence of contract work affects working lives, self-perceptions and the career strategies of Swedish screenwriters of finding and keeping work. Furthermore, it also explored how screenwriters experience their abilities to exercise authorial leverage over media content. Introducing the concept of “career authoring” to cover different aspects of the professional lives of screenwriters such as managing a career, establishing authorship and contractual negotiations, the study was able to embrace various mind-sets and strategies for career success. Combining ethnographical studies and textual analyses the study was able to ascertain that the contingency of the Swedish film and television industries necessitates strategies to cultivate reputations, industrial visibility, consciously receive writing credits and conform to a traditional division of labour. Moreover, the study illuminated the importance of contractual negotiations for career success in terms of both retaining and wavering rights to their work. Strategies for exercise increased authorial leverage were not only confined to the script, but extended beyond the page, where the latter accentuated processes of reconfiguring traditional conceptions of screenwriters’ abilities to influence media content.
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