In early 1505, at twenty-nine years of age, Michelangelo began work on a massive tomb for Pope Julius II. The formal, temporal, and constructional intertwinings of this project are plumbed to create the foundation of this text. Finding its only full manifestation in the narratives of Vasari and Condivi, this tomb was the site of Michelangelo's first engagement with the making of architecture. The execution of this project would go on to intermittently occupy nearly half of Michelangelo's lifetime, making it a pivotal and paradigmatic work in the understanding of his opera. Explored as an embodied architectural treatise, the tomb reveals Michelangelo's dynamic process of creative making. Problematic issues in the prevailing Twentieth Century analyses and reconstructions of the tomb are called into question and alternative approaches to establish a deeper understanding of the project are proposed. Conjectures on the relevance of history, the hegemony and limits of analysis, the physical manifestation of ideas, what it means to "finish" a project, and what constitutes a "work," are projected from the foundations of the tomb onto the making of architecture today.

The purposes of this creative project were (1) to develop a stone conservation plan for some of the markers in the "Old Part" of Beech Grove Cemetery, (2) to bring attention to the plight of a sampling of the cemetery stone markers in the "Old Part," and (3) to provide a written and photographic database for those individuals who are concerned with the preservation/conservation of Beech Grove Cemetery, in the hopes that a conservation plan can be implemented throughout the cemetery.Results revealed that a vast majority of Beech Grove's markers are deteriorating due to several natural factors such as weathering and erosion, as well as to neglect and vandalism. I have included, in this project, 195 stone inventory forms with a correlating map and photograph of those stones surveyed. The results also confirmed my theory that little conservation has taken place in the cemetery. Some conservation efforts that have been applied to the stone markers have further damaged them due to inappropriate methods. / Department of Architecture

American cemeteries have evolved from unsophisticated and crowded burial grounds to curvilinear and elegantly designed rural cemeteries to the functional business of the memorial park. Regardless of the type, all cemeteries are constantly changing due to their natural features and because of the deterioration of stone after prolonged exposure to the elements. Then add neglect or vandalism into the mix and cemeteries appear to be particularly doomed.This creative project examines the cemeteries in Delaware County, Indiana. Working from "Cemeteries in Delaware County, Indiana" by Rosaella Cartwright and Elizabeth Modlin, an inventory was completed for the sixty located cemeteries. The ten that were not inventoried were outside the scope of the project, could not be located, or inaccessible. The landscape features, markers, funerary art motifs, and preservation efforts were recorded and the data was then analyzed. Issues and challenges facing the cemeteries were investigated, including how to go about properly documenting a cemetery and general information on cleaning and repairing markers. Finally preservation guidelines and recommendations were proposed for the cemeteries in Delaware County. / Department of Architecture

*Graveyards are significant sites that are consciously and deliberately created. As both architecture and landscape architecture, graveyards are an intrinsic part of history that have helped define and establish architectural styles as well as address land use and associated issues.Graveyards provide some of the best and most lasting examples of art and sculpture through the ages. By examining the size, shape, ornamentation/articulation, style of carving and materials from which the stones are constructed, elements of social status and what individuals thought of the themselves are revealed. Valuable historic documentation is gleaned from graveyards in the form of genealogical information, social history, widespread diseases, wars/battles and demographics. The study of epitaphs discloses biographies of individuals and indicates what type of professions were dominant during a certain period. The religious symbolism of individual stones differentiates denominations and may lend evidence of a once-existent church or parish.*This term was traditionally used throughout the seventeenth, eighteenth and nineteenth centuries and therefore will be applied in the text where appropriate. The need to preserve graveyards is essential to humankind's understanding of the past,, people and the environment. As outdoor museums that are open to all, regardless of social or economic status, to visit and experience, graveyards are potentially one of the best educational tools for interpreting history, yet are seldom used. Graveyards must begin to be viewed as "interpretive sites" and not just as functional and emotional places for the dead. As a tangible aspect of history that contains sensitive records, the preservation of a graveyard must be carefully and innovatively handled. The stability that a cemetery presents in the ever-changing environment of a disposable society is threatened unless the site and its artifacts are properly maintained.Historic Blandford Cemetery in Petersburg, Virginia, presents itself as a significant eighteenth, nineteenth and twentieth-century graveyard/cemetery. It is the site of the 1781 Battle of Petersburg and the burial grounds for approximately 30,000 Confederate soldiers from the United States Civil War. The Old Blandford Church is the oldest church in the Petersburg area (ca. 1734-1737) and was the last of three brick churches built for Bristol Parish of Bristol, England, in colonial Virginia. The church also contains fifteen Tiffany stained-glass windows designed by Louis Comfort Tiffany.Since the historic fabric at Blandford Cemetery needs to be preserved, restored, maintained and innovatively managed to ensure its future, this study has been undertaken with the sincere hope that others will find the enthusiasm, support and encouragement to seek out, preserve and interpret old graveyards and cemeteries. / Department of Architecture

Habilitationsschrift--Freiburg im Breisgau, 1968. / Includes indexes. Includes bibliographical references (p. 7-18).

Habilitationsschrift--Freiburg im Breisgau, 1968. / Includes indexes. Includes bibliographical references (p. 7-18).

This thesis examines the relationship between the commemorative strategies of English noblemen in the period 1485-1572 and their identity both as individuals and as a social group. In particular, it will look at the Howard dukes of Norfolk in the context of their peers. The five chapters each address a different aspect of noble identity. The first two chapters deal with the importance of kinship and of status. The importance of kinship is evident across commemorative strategies from burial locations to the heraldry displayed at funerals to the references to ancestry in elegies. Having achieved a particular status, noblemen were defensive of their rank and the dues accorded to it. Funerals were designed to reflect social status and the choice of burial location could also indicate a concern with status. However, there was not always a correlation between the scale of commemoration and status. The third chapter examines the role that service to the Crown played in noble identity. Late medieval ideals of military service and a chivalric culture survived well in to the sixteenth century and traditional commemorative forms remained popular, even amongst noblemen newly ennobled from the ranks of the Tudor administration. Chapter four addresses the importance of local power to the nobility of the period. Burial and commemoration acted as a visible reminder of the social order and were of benefit in maintaining local stability. Noblemen could also use their death as a means of demonstrating good lordship through charity and hospitality. The final chapter examines the importance of religion to a nobleman's identity during a century of turbulent religious change. Studying commemorative strategies allows us to trace noble responses to religious change, the constraints on their public show of belief, and the ways in which they could express individuality.

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished