Desde la llegada del primer caso de COVID-19 en el Perú, diversos medios de comunicación han emitido información sobre la pandemia. Asimismo, durante este contexto, ha existido una serie de disputas entre el poder legislativo y ejecutivo. En ese marco, el 14 de noviembre murieron dos jóvenes en la protesta contra el expresidente Manuel Arturo Merino de Lama. Después de esta trágica sucesión, el programa “Rey con Barba”, del canal Willax TV, brindó cierta data sobre la protesta que fue cuestionada. Del mismo modo, el otro programa “Beto a Saber” proporcionó información sobre la vacuna contra la Covid-19 que fue discutida por diversos medios, ya que fueron catalogadas como fake news. Para poder evidenciar la existencia del componente de las fake news en ambos programas se realizó un decoupage; el cual cuenta con 3 categorías: categoría audiovisual, categoría discursiva y categoría de las fake news. / Since Covid-19 arrived to Perú, several networks have been displaying information about the pandemic. At the same time, there have been plenty discussions around the legislative and Judicial branches. On November the 14th, two young men died during the protest against the past president Manuel Arturo Merino de Lama. After this tragic event, the program “Rey con Barba” from the Willax TV channel, which shared controversial information about the protest. Additionally, the “Beto a Saber” program, the introduces information the Covid-19 vaccine which was debated between different medias, labeled as fake news. In order to provide evidence about the presence component of fake news in both programs, a decoupage has been done, witch consistent at three categories: the audiovisual category, the discursive category and the fake news category. / Tesis

This article examines how the phenomenon of sound-and-light shows fulfills the purposes of preaching and, as such, can be perceived as a form of public proclamation. Originating in France but now offered all over the world, these shows use large-scale video projection to display images on the facades of historic buildings, many of which are religious in nature, set to sound effects and music. The author begins by addressing three purposes of preaching that arise within homiletical discourse: testimony of God’s story, empowering transformation, and engendering encounters with God. Drawing from recent qualitative research into spectators’ experiences at sound-and-light shows, the author then examines how three specific shows serve as case studies that demonstrate that, while not sermons, they can indeed fulfill each of the purposes of preaching. As such, these spectacles can be seen as a vibrant form of proclamation amidst contemporary public settings.

El presente trabajo tiene como objetivo describir cómo la mujer amazónica es representada en la televisión peruana desde el contenido audiovisual y la percepción de la audiencia en los programas Reportaje al Perú y Al Sexto Día. En los antecedentes, los estudios se establecen en los siguientes ejes: grupos étnicos y su representación en los medios; sexualización de la mujer en los medios; el indígena en los medios; y la mujer indígena en los medios. Las teorías tratadas en el marco teórico son: representaciones sociales y estereotipos televisivos; mujer y roles de género; y la Amazonía y sus representaciones. El paradigma utilizado es el interpretativo, bajo el enfoque cualitativo. Las técnicas de recolección de datos son el análisis de contenido y la entrevista semiestructurada. Los elementos a analizar son por contraste en ambos casos. En el primer elemento, se analizan 4 reportajes de Al Sexto Día y 4 reportajes de Reportaje Al Perú. En el segundo elemento, se entrevistan a 5 mujeres y 5 hombres amazónicos; y a 5 mujeres y 5 hombres no amazónicos. / The present research aims to describe how the Amazonian woman is represented on Peruvian television from the audiovisual content and the perception of the audience in the programs ‘Reportaje Al Perú’ and ‘Al Sexto Día’. In its background, the studies are established in the following axes: ethnic groups and their representation in the media; sexualization of women in the media; the indigenous in the media; and indigenous women in the media. The theories addressed in the theoretical framework are: social representations and television stereotypes; women and gender roles; and the Amazon and its representations. The paradigm used is the interpretative one, under the qualitative approach. Data collection techniques are content analysis and semi-structured interview. The elements to be analyzed are by contrast in both cases. In the first element, 4 reports from ‘Al Sexto Día’ and 4 reports from ‘Reportaje Al Perú’ are analyzed. In the second element, 5 women and 5 men from the Amazon; and 5 women and 5 men not from the Amazon are interviewed. / Trabajo de investigación

Text had abstracts in English and Tshivenda. No keywords / Very few scholars have ventured into language use in media discourse, especially in African Languages. The purpose of this study was to determine the language use in media discourse in the Nḓevhetsini Programme on Phalaphala FM, to investigate linguistic elements that create challenges amongst presenters, reporters, listeners and guest speakers and also the manner in which the message is received by listeners. This study employed a qualitative approach to obtain data from Nḓevhetsini episodes. The episodes were divided into themes identified in order to compare common cases and those that differ in language use amongst presenters, reporters, compilers, listeners and guest speakers engaged on the Nḓevhetsini episodes. The study found that borrowing, code-mixing, dialectal variants use, and not interpreting the English message to listeners bring challenges in language use in media discourse. Language programmes that promote language should be implemented. Rules that guide language use are important in language preservation. / A hu athu tou vha na vhaḓivhi vha maṅwalwa vhe vha sedzulusa kushumisele kwa luambo kha nyanḓadzamafhungo nga maanḓa kha ngudo ya Nyambo dza Vharema. Ndivho ya ngudo yo vha u ṱoḓa u wanulusa kushumisele kwa luambo kha nyanḓadzamafhungo kha mbekanyamushumo ya Nḓevhetsini, ho sedzwa zwiteṅwa zwa luambo zwine zwa vha fha khaedu khathihi na u sedza uri mulaedza u swika nga nḓilaḓe kha vhathetshelesi. Ngudo iyi yo shumisa ngona ya Khwaḽithethivi kha u kuvhanganya mafhungo u bva kha episode ṱhanu. Episode dzo saukanywa u ya nga thero dzo wanalaho hu u itela u ita mbambedzo dza kushumisele kwa luambo dzi fanaho na dzi sa faniho. Ngudo iyi yo wanulusa uri u hadzima, u ṱanganyiswa ha maipfi kana mafurase a nyambo dzo fhambanaho, na u sa pindulelwa ha milaedza ya English ndi khaedu. Milaedza i hashiwaho nga English i ṋea vhathetshelesi khaedu kha kushumisele kwa luambo kha khasho. Mbekanyamushumo na milayo i ṱuṱuwedzaho tshumiso ya Tshivenḓa zwi tea u sikiwa. / African Languages / M.A. (African Languages)

Bakgrund: Uteblivna patientbesök är ett problem som påverkar sjukhusen ekonomi men även patienternas hälsa. No shows är ett uttryck som används för de patienter som utan att meddela ej kommer till bokade besök och denna patientgrupp riskerar i högre grad att insjukna akut samt förvärra sitt sjukdomstillstånd genom att utebli. No shows ger även en stor ekonomisk belastning på sjukvården. Patienter som avbokar eller väljer att ej närvara vid besök, där bland screeningpatienter, löper en högre risk att insjukna akut än de som deltar vid screening. Syfte: Syftet med denna studie var att undersöka faktorer till att patienter uteblir från besök vid röntgenavdelningen. Metod: Denna studie genomfördes som en allmän litteraturöversikt. Artikelsökningen gjordes i databaserna PubMed samt Cinhal och resulterade i 15 artiklar som svarade mot syftet. Resultat: Orsaker till uteblivna besök sammanställdes i sex huvudgrenar; rädsla, praktiska faktorer, ålder, administration, familj och socioekonomisk status. Slutsats: Liknande resultat återfinns i studier vid andra avdelningar och resultatet kunde således generaliseras. Mer forskning behövs om varför dessa huvudgrenar påverkar att patienterna ej kommer på sina besök. Det är av vikt för röntgensjuksköterskan att veta om orsaker till uteblivna besök för att kunna jobba mot en förändring som kan förbättra både sjukhusens ekonomi men även patienthälsan. / Background: Missed appointments is a problem that effects the hospital economics and the patients’ health, No- show patients is a term for patients thats without informing don't come to their booked appointment.This patient’s group has a higher risk of falling ill urgently or aggravate the already existing disease. A patient cost too the health care system is bigger when they miss booked appointments. Patient’s who decline or select not to participate in screening also increases their risk of falling ill. the Screening patients that’s participate decreases risk of sickness or finding it early. Purpose: The purpose of this study was to examine factors to no show patient’s in radiology. Method: A literature review was conducted. Articles searches using databases PubMed and Cinhal resulted in 15 articles that’s matched the purpose of the study. Result: Six different factors/reasons was found, fear, practical factors, aged, administrations, family and social status. Conclusions: Similar results was found in study’s in other departments of the hospital and there for a generalization was possible. More research needs to be done in to how the seven main branches actually effects missed appointments and no show patient’s. It is of importance to the radiology nurse to know the reasons so they can work towards a positive change in both hospital economics and patient’s health.

L’étude prend sa source dans une préoccupation qui anime la plupart des dirigeants de fédérations et de clubs sportifs au Sénégal : leur difficulté à mobiliser un public nombreux lors des évènements sportifs qu’ils organisent. Cette situation renvoie à un questionnement sur leur capacité actuelle à répondre aux besoins et attentes des spectateurs, les fidéliser et en conquérir de nouveaux. Dans ce contexte, notre question de recherche principale est de savoir quels sont les facteurs qui influencent la décision des spectateurs d’assister à des évènements sportifs au Sénégal ; en d’autres termes, comprendre les motivations des spectateurs à fréquenter (ou à ne pas fréquenter) les lieux de ces évènements. Pour cela, nous avons analysé les cas de trois types de spectacles sportifs : (1) celui d’un sport moderne d’importation (le championnat de football professionnel) ; (2) celui d’un sport traditionnel (la lutte avec frappe) et (3) celui d’une pratique se situant entre tradition communautaire et modernité - sport moderne « tropicalisé » - (le championnat populaire navétane), afin de mettre en lumière des spécificités explicatives.Les résultats révèlent six facteurs majeurs pouvant influencer la fréquentation d’un évènement sportif au Sénégal : la proximité des lieux de compétition, l’affirmation d’une appartenance identitaire, la passion du sport, la recherche d’interactions sociales, la quête du plaisir et du divertissement, la stimulation émotionnelle. Parallèlement, ils nous ont amené à mettre en évidence quelques critères pouvant conduire à mieux segmenter l’offre de spectacle sportif : la motivation de fréquentation, la régularité, le degré de participation aux actions de supportérisme, le rapport à la violence ; soit autant de critère permettant de construire une offre adaptée aux différentes catégories de publics.D’un point de vue managérial, ce travail de recherche livre des informations utiles aux organisateurs. En effet, elles peuvent leur permettre d’avoir une meilleure visibilité de la demande : d’une part, une identification plus fine des publics sous la forme d’une typologie, d’autre part, une caractérisation actualisée de leurs besoins et attentes et de leurs comportements de consommation ; cette meilleure connaissance du marché devant logiquement les conduire à des stratégies marketing plus efficaces en matière de segmentation de leur offre et de ciblage des différentes catégories de publics. / The study has its source in a concern that drives most leaders of federations and sports clubs in Senegal: their difficulty to mobilize a big audience during the sports events which they organize. This situation raises questions about their current capacity to meet the needs and expectations of spectators, to make them loyal and to try conquer new ones. In this context, the main aim of our research question is to know what are the factors which influence the decision of the spectators to attend sports events in Senegal; in other words, understand the motivations of the spectators to go (or not to go) to these events places. For that purpose, we analyzed the cases of three types of sports shows : (1) that of a modern import sport (the professional football championship); (2) that of a traditional sport (wrestling) and (3) that of a practice between communitarian tradition and modernity - "tropicalized" modern sport - (the popular Navetane championship), in order to highlight explanatory specificities.The results reveal six major factors which can influence the attendance of a sport event in Senegal: the proximity of the competition venues, the affirmation of identity, the passion for sport, the search for social interaction, the pursuit of pleasure and entertainment, emotional stimulation. At the same time, they allow us to highlight some criteria which can lead to better segment the offer of sports show: Their motivation to attend, their regularity, their degree of participation in the actions of “supporterism”, the link with violence , these are enough criteria that can help build an offer adapted to different categories of public.From a managerial point of view, this research work delivers information useful for the organizers. Indeed, they can allow them to have a better visibility of the demand (request): on the one hand a finer identification of public in the form of a typology, on the other hand, a characterization updated by their needs and expectations of their consumer behavior; this good knowledge of the market must lead them logically to more effective marketing strategies regarding segmentation of their offer and targeting of the various categories of public.

High patient no-show rates increase health care costs, decrease healthcare access, and reduce the clinical efficiency and productivity of health care facilities. The purpose of this exploratory qualitative single case study was to explore and analyze the managerial intervention strategies healthcare administrators use to reduce patient no-show rates. The targeted research population was active American College of Healthcare Executives (ACHE), Hawaii-Pacific Chapter healthcare administrative members with operational and supervisory experience addressing administrative patient no-show interventions. The conceptual framework was the theory of planned behavior. Semistructured interviews were conducted with 4 healthcare administrators, and appointment cancellation policy documents were reviewed. Interpretations of the data were subjected to member checking to ensure the trustworthiness of the findings. Based on the methodological triangulation of the data collected, 5 common themes emerged after the data analysis: reform appointment cancellation policies, use text message appointment reminders, improve patient accessibility, fill patient no-show slots immediately, and create organizational and administrative efficiencies. Sharing the findings of this study may help healthcare administrators to improve patient health care accessibility, organizational performance and the social well-being of their communities.

Ante la abrumadora presencia de reality shows en las parrillas televisivas, los recursos audiovisuales utilizados se van reinventando para captar una mayor atención del público. El montaje audiovisual se posiciona entre los más importantes a tomar en cuenta no solo por ser la herramienta que construye el discurso del producto audiovisual, sino que, además, es un recurso que logra generar estímulos emocionales en el espectador que contribuyen al éxito del programa. Es por ello que la presente investigación busca descubrir de qué manera la construcción del montaje en el programa “Produce 101” ha logrado generar en el espectador una empatía hacia los participantes del programa, factor sustancial para el desarrollo del nuevo tipo de reality show que la industria musical y televisiva de Corea del Sur ha presentado. Se recurre a conceptos que aborden al montaje tanto de manera operativa como psicológica, centrándose en las intenciones que posee el montajista para aproximarse al espectador. Se realizó un análisis de contenido sobre la estructura del montaje de los últimos cuatro episodios del programa y la realización de dos grupos focales que ayudan a ver la respuesta de los espectadores ante el análisis realizado. Finalmente, se pudo concluir que la construcción del montaje del programa “Produce 101 S2” recurre a una discontinuidad de la línea temporal utilizado para reforzar y recalcar momentos importantes y los efectos ocasionados por estos, logrando que el espectador se vincule tanto con la acción como con las reacciones presentadas y, por ende, con los participantes.

Cette thèse se penche sur les mécanismes de surveillance et de contrôle à l’œuvre dans les talk-shows de l’intime produits par et pour les Tunisien·ne·s après le soulèvement populaire de 2010-2011. Combinant la lecture minutieuse à l’analyse de contenu, elle examine un corpus composé de 20 histoires tirées de cinq talk-shows de l’intime diffusées entre février 2019 et avril 2020, en dialecte arabe tunisien, sur des chaînes de télévision et de radio locales. À cela s’ajoute un corpus secondaire composé de 31 histoires et un corpus exploratoire d’une centaine d’épisodes englobant une période plus large (2011-2020). Souvent associées à l’ignominie (al-fadhiha) et à l’outrance, ces émissions mettent en scène des témoignages sur les intimités tunisiennes, dans un contexte marqué par une effervescence politique et identitaire, par la réforme et la privatisation de l’industrie médiatique, ainsi que par des revendications de la libre expression et d’al-soutrah. À travers le concept du pan-synoptique (Foucault, 1975 ; Mathiesen, 1997), ces programmes de télévision et de radio sont analysés comme des variations d’un dispositif de regard et d’écoute à travers lequel les individus sont simultanément surveillés et surveillants. Ils participent ainsi à la circonscription des intimités dans un champ d’observation médiatique. S’appuyant sur les critical intimacy studies et sur les feminist affect studies, cette thèse théorise l’intimité comme une « chose sauvage » prenant forme lorsque les corps s’orientent vers leurs objets d’attachement. Ces « orientations » (Ahmed, 2006) peuvent suivre les lignes droites prédéfinies ou emprunter des déviations éloignées des trajectoires normatives. Bien qu’elles soient distinctes des formes institutionnelles et normatives qu’elles peuvent prendre, les intimités sont orientées par des normes des valeurs, des idéaux et des discours qui peuvent varier selon les contextes (Berlant, 1998 ; Berlant et Warner, 1998). Dans cette optique, cette thèse explore comment ces programmes s’articulent (Hall, 1986) à un dispositif plus large, pour mettre les intimités tunisiennes en lumière et en discours. / The present thesis examines the mechanisms of surveillance and control at work in intimate talk-shows produced by and for Tunisians after the 2010–2011 insurrection. Combining close reading with content analysis, the thesis examines a corpus of 20 stories from the five intimate talk-shows that aired on local television and radio channels, in the Tunisian Arabic dialect, between February 2019 and April 2020. The thesis also examines a secondary corpus of 31 stories and an exploratory corpus of over one hundred episodes covering a broader period (2011–2020). Often associated with scandal (al-fadhiha) and trashiness, these shows stage testimonies of Tunisian intimacies within a context marked by political and identity tensions, the reform and privatization of the media industry, as well as demands of free expression and al-soutrah. Through the concept of the pan-synopticon (Foucault, 1975 ; Mathiesen, 1997), the thesis analyzes these television and radio programs as variations of a surveillance dispositif where the many watch the many. In this way, the thesis interrogates how these shows contribute to the shaping of Tunisian intimacies. Drawing on critical intimacy studies and feminist affect studies, the present thesis theorizes intimacy as a “wild thing” that takes shape when bodies move towards their objects of attachment. These “orientations” (Ahmed, 2006) may follow predefined lines or deviate from normative trajectories. Intimacies are oriented by norms, values, ideals, and discourses that can vary across contexts (Berlant, 1998; Berlant and Warner, 1998). From this perspective, the thesis explores how these programs articulate within a broader dispositif (Hall, 1986) to expose and talk about Tunisian intimacies.

The diploma project called "Problems with Violence in School Educational Environment" is divided into the parts - Introduction, Theoretical Part, Empirical Part, Conclusion. The Theoretical Part is separated into the five chapters - Demarcation and Definition of Concepts, Division of Aggression, Shows of Children's Violent Manners, Shows of Adolescents' Manners, Resolution of Aggression. The Empirical Part of the thesis verifies set hypotheses and targets. It is investigated, what type of aggression teachers meet towards their own person in their occupation, whether they meet more with aggression of boys or girls. The attributes of aggressors are also researched - what school results they have according to their teachers, what sort of families they come from. There is monitored link between action games or action movies and possible connection with frequency of aggression. During the study, we are discovering how often teachers in schools solve the problems connected with pupils' aggression and in which taught subjects violence and lack of discipline occur according to teachers' experience. Some educators state experience with cyber bullying in their jobs. They inform how often they meet with it, how they specifically react when they run into cyber bullying in the connection with their own person, and how...