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Similarities between two dissimilar American piano sonatas of the 1960s: The second piano sonatas of Robert Muczynski and Robert Starer.Fosheim, Karen Marie. January 1994 (has links)
Two significant American composers, Robert Muczynski (b.1929) and Robert Starer (b.1924), composed piano sonatas in the years 1964-66, despite the tendency of other composers of the time to utilize less traditional structures. The second Sonatas of Muczynski and Starer are intricately conceived, finely crafted, and worthy examples of mid-century trends in American composition and they give evidence of the continuing viability of the sonata form. This study will examine the stylistic similarities between two works that utilized, paradoxically, differing methods of compositional technique. These men chose different compositional languages, yet they chose the same formal structure to organize their work. This study will focus on those features that are style-determinant. I believe that many of the common stylistic traits present in the second piano Sonatas of Robert Muczynski and Robert Starer may be a result their common environment, as contemporary trends common to the culture of composers can have a significant influence on the style of their works.
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Sonata for piano in A flat minorSt. Clair, Mertice, 1895- January 1943 (has links)
No description available.
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Third piano sonata in A minor, opus 14Lamm, Robert Carson, 1922- January 1948 (has links)
No description available.
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Sonata, piano, B♭ majorClifton, Alfred Miles, 1921- January 1950 (has links)
No description available.
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Fantasy-sonata for pianoDale, Frank Knight, 1909- January 1952 (has links)
No description available.
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The opening sonata-allegro movements in a randomly selected sample of solo keyboard sonatas published in the years 1742-1774 (inclusive)Kamien, Roger. January 1900 (has links)
Thesis--Princeton University. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [100]-107).
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The opening sonata-allegro movements in a randomly selected sample of solo keyboard sonatas published in the years 1742-1774 (inclusive)Kamien, Roger. January 1900 (has links)
Thesis--Princeton University. / Includes bibliographical references (leaves [100]-107).
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A master's piano recital and program notes / Faschingsschwank aus WienWingfield, William R, Beethoven, Ludwig van, 1770-1827. Sonatas, piano, no. 30, op. 109, E major. January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
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The piano sonatas of Carl Vine a guideline to performance and style analysis /Yang, Eun-Kyoung, January 2003 (has links)
Thesis (D.M.A.)--Ohio State University, 2003. / Includes abstract and vita. Includes bibliographical references.
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The piano sonatas of Carl VineYang, Eun-Kyoung, January 2003 (has links)
Thesis (D.M.A.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains ix, 97 p.: ill., music. Includes abstract and vita. Advisor: Caroline Hong, School of Music. Includes bibliographical references (p. 96-97).
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