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Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466-1516) : a contextual history /Hernandez-Rios, Prisco. January 1999 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1999. / Includes bibliographical references (p. 535-552). Also available on the Internet.
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Spanish and Portuguese song at the end of the Middle Ages and the beginning of the Renaissance (1466-1516) a contextual history /Hernandez-Rios, Prisco. January 1999 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1999. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 535-552).
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The Brazilian Art Song and the Non-Brazilian Portuguese Singer: A Performance Guide to Nine Songs by Alberto NepomucenoRiggs, Rawlianne 05 1900 (has links)
Alberto Nepomuceno (1864-1920) is considered to be the father of the Brazilian art song. With a total of seventy songs, Nepomuceno revolutionized and established a new path to the Brazilian art song. His songs were innovative because they: (1) incorporated folk elements in his songs, (2) introduced Portuguese as a language acceptable in bel canto style and (3) established Brazilian songs in the tradition of the European vanguard. His approach influenced several composers including his young student Heitor Villa-Lobos (1887-1959), one of the most significant Latin American composers. The purpose of this research is to inform singers and teachers about one of Brazil's most significant art song composers, and to provide the necessary tools--Brazilian Portuguese diction guide, IPA and poem translations of the selected songs--for effective and accurate performances and interpretations.
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