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It's 'a good thing' the commodification of femininity, affluence, and whiteness in the Martha Stewart phenomenon /Click, Melissa A., January 2009 (has links)
Thesis (Ph. D.)--University of Massachusetts Amherst, 2009. / Includes bibliographical references (p. 371-405). Print copy also available.
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Crisis management the effective use of image restoration strategies when an organization/individual is faced with a crisis /Martin, Anthony Lewis. January 2005 (has links)
Thesis (M.S.)--West Virginia University, 2005. / Title from document title page. Document formatted into pages; contains iv, 74 p. : ill. Includes abstract. Includes bibliographical references (p. 64-74).
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In Martha We Trust? The Cultural Significance of the Martha Stewart PhenomenonChmielewska, Katarzyna 08 1900 (has links)
The thesis examines the relationship between Martha Stewart's rendition of domesticity and a broader cultural trend of the late 1990s U.S. domestic retreatism. It argues that the mode of construction and representation of the "domestic dream" in Stewart's programs cannot be examined outside of such concepts as class and ethnicity, whose understanding depends on the cultural, social, and political context of a given era, a context, in which they become transparent as aspects of the Western (white, patriarchal) status quo. Performing a deconstructive reading of these categories as employed by Stewart in the process of creation of her media persona, the thesis examines what the negative as well as positive reactions to "Martha Stewart" convey about the condition of American society of the late 1990s and early 2000s.
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