This work places itself in the field of textile design, printed surface patterns and pleating. The primary motive for this work is to bring together pleating and surface patterns by designing surface patterns that are the main component of the pleating. The aim is to combine printed surface patterns with pleating in order to design contemporary two-sided textiles for a spatial context. Different pleating patterns have been tested in combination with material and scale. Small paper sketches have been used to develop the surface patterns and to see how the different surface patterns are merging with each other when printed on both sides of the fabric. The printing method that has been used is transfer print. The result is a collection of three different textiles printed with surface patterns on both sides of the fabric. For further development the textiles can be placed in an interior context and serve as room dividers.

Surface patterns of bead defects such as humping, gouged and rippling after solidification during laser and electron processing and different welding processes are systematically and quantitatively studied in this project. These defects usually accompanying with porosity, undercut, segregation, stress concentration, etc. seriously reduce the properties and strength of the surface heat treatment and weld joint. In order to improve quality, assure mass production and repeatability and reduce costs, it is necessary to understand their mechanisms. Although the defects have been extensively studied in the past, systematical, penetrative and quantitative understanding of their formation from thermal, physics, and pattern selection viewpoints are limited.The study include thermocapillary force, evaporation, and phase changes between solid-liquid and liquid-gas phases by introducing energy equation and interfacial and kinematic boundary conditions to simulate realistic processes.

Camolution is a project that explores the camouflage pattern in a textile designcontext. The motive is to reinterpret an obsolete concealment function andinstead, to hide and reveal visual textile aspects within the pattern. Theprimary aim of this work is to develop a contemporary camouflage patterncollection of printed and knitted textiles, and to explore the concealmentfunction through visual deceptions. The patterns were developed witha method that uses a selection of rules in colour contrasts,style influences and textile proprieties to design a series of patternexperiments. The final pattern designs were screen printed, digitalprinted and knitted, and applied as garment prototypes. This part wasdone in collaboration with the fashion brand Björn Borg. The result setsout a collection of textiles and clothes connected by three differentconcepts of misled vision. It was found that the camouflage function in thiswork was an efficient tool to advertise the brand symbols within the textiles.This work proposes an alternative design method of using the camouflageconcept in textile design, contributing with new expressions, techniquesand qualities.

This licentiate thesis focuses on surface patterns, spatiality, and pattern relations in textile design, and aims to explore surface patterns as spatial definers and what they mean in the context of surface patterns. A secondary focus relates to applying conceptual spatial determinations as alternative design variables in design processes, and exploring how these could be used to define and analyse pattern relations. Through a series of exploratory design experiments that used printed and projected surface patterns in a three-dimensional setting, which were documented using photographs and film, the notion of pattern relations, wherein scale was used as a design variable, was explored. The outcome of the experiments showed the expressional possibilities that surface patterns may provide in a defined space, and how these are connected to pattern relations. In order to encourage an accompanying discussion regarding alternative methods of analysing surface patterns, the construction of a theoretical model was initiated. Workshops with design students were used as another practical method in this work. The results showed that there is great potential in using conceptual spatial determinations to define pattern relations by viewing surface patterns as spatial definers, rather than taking a traditional perspective on their functions. Another outcome is the theoretical model, which proposes a specific approach to pattern relations. This research demonstrates how conceptual spatial determinations can benefit the textile design process, as well as design teaching, which could in turn provide the field with new expressions that may lead to a change in or fruitful addition to the practice.

This degree work places itself in the field of textile design, surface patterns and conceptual design. The aim of the work is to use the human body as a tool for designing conceptual surface patterns onto textiles. The methods of designing were done through practical workshops. Examples of workshops is shadow workshop, motif workshop and pattern workshop. For each workshop appropriate rules was decided based on analizis of preveous workshops. The outcome could be presented as two types of results; firstly, a design method for generating surface patterns, and secondly, heat transfer printed textiles that prove the validity of the method. The work proposes an alternative approach for inspiration to designing surface patterns.

The following project explores how colored light can be used as a variable to manipulate the perception of a surface pattern. Placing the work within the textile design field, colors are a main factor for the development, it shows that colors’ visual state changes when colored light is inflicted. Taking advantage of the effect, an aim was set to explore the relationship between colored light and colored surface to expand methods of designing dynamic and storytelling surface patterns. This to add a different approach of how patterns can be created with a motion ability. The method used was through experimenting with different color combinations under colored light, observing movement of different color placements combined with motif arrangements and patterns, in order to find a working effect. The outcome are three different surface patterns with a dynamic property, each with its own storytelling aspect narrated by the colored light changing. This contributes to a playful way of creating depth to surface patterns, which can be developed further to different textile areas.

This degree work in textile design explores how curtains can be designed to become interactive through textile prints and laser cutting. The work places itself within the field of surface pattern design. The aim was to explore interactive textile prints using perspective as a design variable when designing surface patterns for curtains. The aesthetics of traditional Swedish folk art motifs and colour were an inspiration in the design of the prints. The methods used were a combination of textile transfer printing and laser cutting. The result of this project is a collection of three printed textiles that feature laser cutting and etching in different ways. Through human interaction the textiles can be altered in different ways. It is possible to change the textile and adapt it to seasons, trends and personal preferences. The project aims to offer an alternative approach to sustainable textiles by providing people with possibility to change their interor textiles without needing to consume more products.