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1	La tradition dans l'oeuvre architecturale de Kenzo Tange Quelques points de convergence avec la linguistique / Tchoudi, Bernard. Bouverot, Danielle. January 1992 (has links) (PDF) Thèse de doctorat : Sciences du langage : Nancy 2 : 1992. Tange, Kenzō Architecture Linguistique
2	The paradox of a modern (Japanese) architecture / Berns, Torben January 2002 (has links) No description available. Tange, Kenzō, 1913- Architecture -- Japan -- 20th century Shirai, Seiichi, 1905- Architecture, Modern -- 20th century
3	The paradox of a modern (Japanese) architecture / Berns, Torben January 2002 (has links) This thesis analyzes the problems and contradictions inherent in modernity's levelling of the fabricative and political realms. Seeking a broader perspective on the origins of aesthetic culture and aestheticized politics, it examines the relation of architecture to technology, culture, and politics. The thesis examines the consequences of the Enlightenment and "Radical Enlightenment" (understanding the rise of the modern nation-state as a direct consequence of the 18th century's yoking of history and nature) from the perspective of Japan and its encounter with modernity. Japan as a modern nation-state, neither part of the European Enlightenment nor colonized by its instruments, was able to initiate a unique discourse around the question of history and the concomitant issues of identity and nihilism. / The thesis tracks the discourse through architecture as the terms shift and become more and more indistinguishable from the Western manifestations from which the Japanese architects wished to claim distinction. / The discussion on difference and possibility---cultural identity and the creative project---as fundamental questions for a contemporary practice of architecture is undertaken through an analysis of the polar positions of Tange Kenzo and Shirai Sei'ichi. Tange, Kenzō, 1913- Shirai, Seiichi, 1905- Architecture -- Japan -- 20th century Architecture, Modern -- 20th century
4	Framing the Edge of Time: Disaster Architecture and Change Benbih, Karima 20 September 2016 (has links) In this dissertation, I conduct a reflection on the effects of disaster on time perceptions and their consequences on architecture as a vessel of social and individual values, through a study of two major paradigmatic disasters spaces – Post World War II Japan and Post-earthquake Haiti. While on the surface these two cases do not have many points in common, both are instrumental to establishing the manifestation of disasters' impacts on the culture of construction and on the architectural theories that ensue from them. The first case, Japan after the Second World War, establishes the long term influences and changes in social and architectural thought that occur after a disaster, while Haiti, examines the role of the architect in the reconstruction phases and attempts to register the immediate impressions of local architects on the disaster's impact on their practice. I show that both cases exhibit manifestations of the importance of the architect's role of not only building back, but moving forward while capitalizing on the events and social changes that happened. / Ph. D. Reconstruction Japan Haiti Kenzo Tange Metabolism Architecture World War II Earthquake Disaster Post-war Architecture Reconstruction Architectural Theory.
5	「平和記念」の造営と展示1915-1964 : 広島の陳列館/資料館/公園の50年 / ヘイワキネンノゾウエイトテンジ 1915 1964 : ヒロシマノチンレツカンシリョウカンコウエンノ 50ネン / 平和記念の造営と展示19151964 : 広島の陳列館資料館公園の50年越前俊也, Toshiya Echizen 05 March 2020 (has links) 本論は、広島の平和記念施設の敷地において、原爆ドーム前身の物産陳列館設立（1915）から慰霊碑後方の「平和の灯」設置（1964）まで、一貫して、平和ではなく繁栄を目指す造営と展示がなされてきたことを明らかにした。また、原爆ドームは、慰霊碑がある南からの眺めでは、原爆犠牲者の象徴のように見做されるのに対し、原爆スラムがあった北からの相貌では、被曝後を生きるものとして捉えられていたことを指摘した。以上のことから、現代における記念碑の意味を問い直した。 / In this dissertation I revealed that there had been consistently construction and exhibitions aimed at prosperity rather than peace, from the establishment of the product display hall (1915), the predecessor of the Atomic Bomb Dome to the setting up of the "Peace Flame" behind the cenotaph (1964) on the site where the Hiroshima Peace Memorial Facility is located. In addition, it was pointed out that the atomic bomb dome was regarded as a symbol of the victims of the atomic bomb in the view from the south where the cenotaph is located, and the appearance from the north where the atomic bomb slum was made to live after exposure. From the above, the meaning of the monument in the present age was questioned again. / 博士(芸術学) / Doctor of Philosophy in Art Theory / 同志社大学 / Doshisha University 広島平和記念公園広島平和記念資料館原爆ドーム慰霊碑広島県物産陳列館丹下健三イサム・ノグチ長岡省吾アロイス・リーグル近代の記念碑崇拝 Hiroshima Peace Memorial Park Hiroshima Peace Memorial Museum Atomic Bomb Dome Cenotaph Hiroshima Product Display Hall Tange Kenzo Isamu Noguchi Nagaoka Shogo Allois Riegl The Modern Cult of Monuments

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