The presented diploma thesis is divided into two parts. The crucial part consists of a translation of a theatre play La Seconde Chute au Godot, Acte III (1993) written by Swiss French-writing author Sylviane Dupuis. This play continues one of the most important plays of 20th century - Waiting for Godot by Samuel Beckett - and it wants to provide a new outlook on its topics. The translation is completed by a study about Swiss francophone theatre focused mainly on Sylviane Dupuis and a thorough analysis of the play. The center of interest of the second part of the thesis is La Seconde Chute's strong intertextuality and the problems it brings to the phase of understanding and interpretation, as well as in the translation itself. Key words: interpretation, analysis, theatre, Swiss theatre, Sylviane Dupuis, translation of dramatic texts