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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 51 to 55 of 55 (0.047 seconds)Spelling suggestions: "subject:"tricks.""
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Aggressive Flesh: The Obese Female OtherBroom, Hannah January 2005 (has links)
My visual art practice explores the point at which a sense of bodily humour and revulsion may intersect in the world of the monstrous-feminine: the female grotesque, presented as my own obese (and post-obese) body. This exegesis is a written elucidation of my visual art practice as research. As an artist I create performative photographic images featuring taboo or otherwise 'inappropriate' subject matter, situations, materials and behaviours including bodily fluids, offal, internal organs and my own post-obese body. Through these modes of working, I establish and investigate the subjectivity of flesh: Why are we repulsed by the female grotesque? How can this flesh be used to subvert readings of the female body? My research is informed by those understandings of the female body, sexuality and difference described in the work of feminist theorists including Julia Kristeva, Helene Cixous, Ruth Salvaggio and Elizabeth Grosz. I explore the work of influential artists such as Eleanor Antin, Carolee Schneeman, Cindy Sherman and Sarah Lucas. In this context, I present my own visual art practice as a point from which the monstrous-feminine can be given voice as sentient, intelligent flesh.
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Storytelling tricksters: a reader’s coming-of-age in young adult fantasy fiction in GermanyKim, Chorong 13 June 2018 (has links)
In this thesis, I examine three works of modern German fantasy fiction for young adults, their common grounding in the Romantic aesthetic framework and in particular the Romantic notion of creativity, and the implication of their unique fantasy fiction paradigm in our modern day. The novels are Michael Ende’s The Neverending Story (1979), Inkheart (2003) by Cornelia Funke and The City of Dreaming Books (2006) by Walter Moers. They represent a Germany-specific narrative paradigm which can be seen in the protagonist readers’ transformation from mere readers into storymakers/storytellers, and in the conflict between a book-loving hero and antagonists who are against literature. The protagonists embody the Romantic notion of creativity that involves the sublimation of a poet’s crisis into an exploration of the self. The mundane is infused with fantasy, thereby elevating reality to an idealised state. These Romantic storytelling readers act as tricksters, a fairy tale archetype that shares similarities with the figure of the Romantic poet. I employ the theoretical frameworks of German Romanticism, Frankfurt School critical theory, and postmodern models, including those by Deleuze and Guattari. I argue for a modern version of the trickster archetype which explains how a complacent, passive reader becomes an active storyteller. / Graduate
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Manipulators and counter-manipulators: anagnorisis in John 21 through the lens of Genesis manipulation scenesLowdermilk, David Eric 02 1900 (has links)
John 21 tells of the “miraculous draught of fishes.” The disciples fish all night and catch
nothing. In the morning, they fail to recognize Jesus on the shore, instructing them to cast their net
again. After an amazing catch and subsequent breakfast, Jesus thrice questions Peter’s love and
commissions him to “feed my sheep.”
Using Narrative Criticism, this study examines this recognition scene, specifically in light of
recognition scenes in Genesis. Previous work used primarily Greco-Roman texts to analyze
Johannine recognition. This study adds the Hebraic perspective, asking, “How would a reader, well
acquainted with Genesis, understand recognition in John 21?”
This study labels characters who withhold recognition from others as “manipulators,” and
argues that biblical recognition can be understood within a context of “manipulation.” It proposes a
taxonomy of manipulation with six narrative kernels. This yields four patterns gleaned from Genesis:
1) Manipulation narratives are focused around chosen leaders—manipulators—undergoing a
character development process; 2) These manipulators disempower others while empowering
themselves for gain; 3) Genesis manipulation stories often contain evocative déjà vu motifs:
repetitive words and themes connecting the units, reinforcing the story, and sometimes haunting
manipulators; 4) Manipulators are often “counter-manipulated” in a reciprocal manner ironically
similar to their own previous behavior. This may correct and transform the manipulator.
The taxonomy and patterns are applied to John 21:1-19 as a lens for a new reading. The
study also examines Greek diminutives in John 21, which enhances the reading. This reading
characterizes Peter’s earlier behavior in John 18 as manipulative, when he withheld his identity three
times. When the disciples go aimlessly fishing in John 21, Jesus actively withholds his identity in
ironic counter-manipulation, mirroring Peter’s earlier denials. The disciples’ lack of recognition
underscores their dullness, especially Peter’s. Jesus’ three questions to Peter continue the ironic counter-manipulation, paralleling Peter’s earlier three denials. Finally, Jesus predicts Peter will
glorify God in his death, indicating his future turn toward ideal discipleship. / New Testament / D. Th. (New Testament)
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Escaping the labyrinth of deception: a postcolonial approach to Margaret Atwood's novelsKerskens, Christel 18 April 2007 (has links)
La thèse propose une lecture postcoloniale des romans de Margaret Atwood s'articulant sur le thème du mensonge. A travers l'étude de six aspets communs aux romans (l'intertextualité, le mensonge, le réalisme magique, le "trickster", l'hybridité et la quête), la thèse démontre l'importance du motif du mensonge dans une lecture postcoloniale de l'auteur.<p><p>The thesis produces a postcolonial reading of Margaret Atwood's novels, based on the concept of deception. Articulated on six major elements of analysis (intertextual parody, deception, magic realism, trickster figures, hybridity, and quest pattern, the thesis shows how Margaret Atwood's novels can be read from a postcolonial point of view, within which the motif of deception plays a central role. / Doctorat en philosophie et lettres, Orientation langue et littérature / info:eu-repo/semantics/nonPublished
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THE BRONX COCKED BACK AND SMOKING MULTIFARIOUS PROSE PERFORMANCEAvila, Alex 01 June 2016 (has links)
The Bronx Cocked Back And Smoking is a collection of multifarious prose performances recounting the historical, personal, social, political and cultural constructs of a city birthed by violence. This body of work is accompanied by video, audio, photography, and theatre performance texts. St. Mary’s Housing project, in the Bronx, is the foundation where most of this literary work takes place. The modern day Griot (storyteller) is a Poet, guiding his audience through the social inequalities and disparities that plague St. Mary’s community. The Poet shares personal traumatic insights while simultaneously utilizing writing as a form of survival to the conditions of the Bronx. This multi-platform performance highlights the metaphorical and physical concerns with the cycle of violence. This question is answered through the Poet’s choice by selecting the pen over the gun.
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