In Australia, the 0.22 calibre ammunition is the most encountered ammunition type found at a crime scene [1]. Previous analysis of gun shot residue (GSR) and unfired propellant has involved studying the inorganic constituents by Scanning Electron Microscopy or similar technique. However, due to the heavy metal build up that comes with some ammunition types, manufacturing companies are now making propellant that is safer to use. Therefore, it has become appropriate to study and analyse unfired propellant by other means. One such technique is unfired propellant analysis by gas chromatography – mass spectrometry (GC-MS). This technique focuses on the organic constituent make up of the propellant paying particular attention to diphenylamine, ethyl centralite and dibutyl phthalate. It was proposed that different batches of ammunition could be discriminated or matched to each other by using this technique. However, since the main constituents of unfired propellant are highly reactive, it was not possible to accomplish batch determination of ammunition. However, by improving extraction techniques and by removing oxygen (a catalyst for the degradation of diphenylamine) a superior method was established to help in the analysis of unfired propellant. Furthermore, it was shown that whilst differentiating batches of the same ammunition was not possible, the improved methods have helped identify different types of the same brand of ammunition. With the aid of future studies to fully explore this avenue, the analysis of unfired propellant could one day become an integral part of forensic science.

Grief has a way of changing shape. It has the ability to take on qualities of physical illness and the emotional distraught. At times it is visible and others it is hidden. My work focuses on the physical and psychological effects of loss. There are themes of memory, intimacy, and mortality surfacing within my work with clay, highlighting the synonymous nature of the material to the human body. I often look to my family history, and to photographs as a means of dissecting my present body.