As more and more critics now write about postmodernism in the past tense, the 'New Sincerity' of a group of late twentieth-century American writers, led by David Foster Wallace, Jonathan Franzen, and Richard Powers, has been championed as one of its successors. In response to these increasingly widespread views, this dissertation argues that much more can be learned about these three writers when we stop thinking of their work within this 'end of postmodernism' discourse. Instead of attempting to make claims about its novelty, this thesis conducts a literary-historical inquiry into the New Sincerity, arguing that its roots extend across postmodernism and reach back to regionalism, in particular from the midwestern provinces that all three authors grew up in and that occupy a central place in their work. Though regionalism's subject matter, small-town America, is commonly believed to have died in the postwar period, it is this 'death of the prairie town' and its symbolic afterlife that have opened up new literary possibilities outside the realm of conventional regionalism. The powerful feelings of loss and nostalgia that its death has engendered are precisely those of which Wallace, Franzen, Powers, and the New Sincerity in general make creative use. The thesis examines how they do so in a series of three extended chapters, each of which focuses on one author. The first chapter pays careful attention to Wallace's re-imagining of the Midwest over the course of his career and reveals how he constantly deviated from the literary trajectory he had outlined in his essay 'E Unibus Pluram,' a key text in the 'end of postmodernism' discourse. The second chapter explores what role the Midwest plays in Franzen's authorial self-presentation and his contradictory attempts to balance 'high-art' status with an anti-elitist image. The third and final chapter gets to the root of Powers's problems with flat characters by examining how he all too readily relies on the Midwest and its stereotypical associations with all-American goodness in his attempts to create endearing characters. Here, as well as in the other two chapters, it is the construction of a symbolic 'heartland' that plays a central role in the creative process behind the author's New Sincerity writing.

This thesis addresses a creative writing approach to exploring reader empathy through the critical analysis of writing devices implemented by contemporary American short fiction writers and through creative experimentation through a written collection of short stories. It explores the ways in which writers can implement specific literary devices to potentially affect a reader's emotional reaction to a character or situation. The specified devices in this research have been utilised by contemporary American authors in their short fiction collections, namely Lydia Davis (The Collected Stories of Lydia Davis), George Saunders (Tenth of December), and David Foster Wallace (Brief Interviews with Hideous Men), who have influenced reader empathy in their short stories. Two categories of devices are in focus: narrative perspective and story format. These categories are signified due to contemporary American authors' experimentation with these devices and due to their inclusion in literary theory on reader empathy and fiction, namely Suzanne Keen's theory of narrative empathy. She focuses on the importance of reader empathy (namely, the effects that fiction can have on a reader in reality) and discusses devices that writers have used to possibly evoke these emotions. Keen explores the relationship between a reader and character identification, with a further emphasis on reader empathy and reader altruism in an inter-disciplinary setting, stating that reader empathy may lead to reader altruism; however, little to no research has been conducted on the creative implementation of writing techniques in regards to reader empathy from the perspective of a creative writer. Through creative application, this thesis aims to show the ways in which devices explored by narrative theorists can create the possibility for reader empathy. Therefore, the thesis takes into account first-, second-, and third-person narrative perspectives and question and answer (Q&A), short-short (a.k.a. flash fiction), and segmented formats through literary analysis of contemporary short fiction and through writing experimentation in the form of a short story collection. The thesis aims to explore the creative use of these devices and their linkage to reader reaction by the production of a short fiction collection entitled Fragmented Perceptions: A Collection of Characters. This creative work intends to implement the specified devices researched in order to experiment with perspective and format in relation to a possible empathetic connection of the reader to a character. Finally, by analysing possible effects on reader empathy through devices employed in the creative work, the thesis explores ways in which authors can use narrative perspective and format to discover various ways in which a writer can implement devices to affect reader empathy through short fiction.

Submitted by Jesiel Ferreira Gomes (jesielgomes@ufcg.edu.br) on 2018-04-26T23:25:43Z No. of bitstreams: 1 VICTOR RAFAEL LIMEIRA DA SILVA – DISSERTAÇÃO (PPGH) 2015.pdf: 2454210 bytes, checksum: f7e6ce452fd71326c16c2874382c65d6 (MD5) / Made available in DSpace on 2018-04-26T23:25:43Z (GMT). No. of bitstreams: 1 VICTOR RAFAEL LIMEIRA DA SILVA – DISSERTAÇÃO (PPGH) 2015.pdf: 2454210 bytes, checksum: f7e6ce452fd71326c16c2874382c65d6 (MD5) Previous issue date: 2015-04-26 / O estudo que hora resumimos se dedicou a compreender a viagem científica do naturalista galês Alfred Russel Wallace, durante os anos de 1848 a 1852 pela Amazônia brasileira. Buscou dessa forma, destacar a construção dos discursos produzidos em relação aos mundos amazônicos: o natural e o humano, no contexto das rupturas e continuidades das Ciências Naturais oitocentistas. O trabalho visou também compreender de que modo se configuraram as redes de relação, científicas e de sociabilidade, no desenvolvimento da expedição, a qual se debruçou tanto sobre os aspectos ditos naturais, quanto sobre as diversas etnias e culturas nos caminhos dos rios trilhados pelo naturalista. Pensando dessa forma, o estudo dessa viagem científica considerou a simbiose dos saberes locais com o saber autorizado, sem considerar que essas relações estão previamente dadas, mas circunscritas ao encontro dos sujeitos em zonas de contato. A inserção de Wallace nos principais ciclos científicos também foi abordada nesse estudo, contribuindo para compreender sua viagem amazônica como estágio fundamental para sistematizar suas duas principais teorias: da biogeografia e da evolução das espécies por meio da seleção natural. / The study which we're summing up dedicated to comprehend Alfred Russel Wallace's scientific journey, from 1848 to 1852 in the brazilian Amazon. Thus, sought to detach the construction of discourses produced about the amazonian worlds: the natural and the human, through the context of ruptures and continuities in the nineteenth-century Natural Sciences. This paper also aimed to understand how the relationship networks - scientific and sociability - were configured, in the development of the expedition, that both dedicated to study natural features and several ethnic groups and cultures in the river ways taken by the naturalist. Thinking in that way, without considering that these relations are given previously, but circumscribed in the meet of the subject in the contact zones. Wallace's insertion in the main scientific cycles was also addressed in this study, contributing to understand his Amazon journey as a fundamental stage to systematize his two theories: the biogeographic one and the evolution of species by means of natural selection.

THESIS: An investigation into my handling of the production’s key challenges, and into what came of those efforts, will reveal a pattern: decisions made from trust – trust of myself as a leader and of my collaborators – yield a better, more satisfying harvest than do decisions made from fear. KEYWORDS & PHRASES: The Trestle at Pope Lick Creek, by Naomi Wallace; theater; theatre; stage; directing; director; process; challenge; time; ritual; live music; heightened language; movement; physicality; casting; actors; designers; lighting; deviant sexuality; audience; conscripting; growth; lessons learned; depression; railroad; train; trust; faith; artistic process; collaboration; leadership.

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The decades following the collapse of the Soviet Union have seen an increased interest in uncovering the relationship between New Negro era authors and intellectuals and the radical leftism that had such a widespread influence in the twentieth century. Scholars are reanalyzing the life and works of figures like Claude McKay, Langston Hughes, W.E.B. Du Bois and others in light of each author's interaction with and acceptance of communist and socialist ideals. These studies trace these radical connections in an effort to better understand New Negro authors and their work during a time of revolution and social upheaval. There is still much work to be done, however, in the study of those African American authors who were not directly allied with these movements, but nonetheless were vital voices in the radical atmosphere of the time. One such author is Wallace Thurman, an influential editor and writer who is connected to communism and socialism in undeniable ways, but also seems ideologically distant from his radical leftist peers. Examining Thurman's body of work as a part of a larger revolutionary trend reveals that though his views differed from and often reacted against communist rhetoric as he understood it, Thurman did use that rhetoric to form his own radical ideology. Thurman's most famous novel, The Blacker the Berry, gives insight into both the radical change that the author hoped for, as well as his vision of the best way to bring about that change. The novel's protagonist, Emma Lou Morgan, represents those individuals who cannot quite manage to fit into a mass movement because her dark skin and psychological issues with her own race and skin color prevent her from easily molding herself to the ideals of others. Emma Lou's struggle for mental independence reveals that though Thurman longed for large-scale, radical reform, he also insisted that no such reform was possible without first helping individuals to overcome their personal psychological barriers. This study of Thurman and his radicalism not only shows that not all revolutionaries of the time were communists, it also begins the work of tracing a New Negro radicalism that was connected to the communist and socialist movements, but also included veins unique to each author's social, racial, and geographic position.

Scholars over the last two decades or so have become increasingly interested in methods of interpreting history, society, and literature that do not rely on nationalistic paradigms. One vein of the transnational analytic trend is interested not only in the multiplicity of cultural geographies but also in the materiality of geography. Such critical work is extremely helpful in challenging myopic nationalist readings; yet the materiality of geography used as a theoretical lens has even greater potential. Using geographical formations as a basis for literary analysis can yield a theoretical base that has nothing to do with the borders of nations (whether it be one nation or many nations) and everything to do with the borders of the planet, a material planet indifferent to national affiliation. Instead of a transnational globe, we inhabit an a-national earth. In order for material geography to be used more fully for a-national readings as opposed to transnational critique, it is essential that the physical aspects of said geography not be subsumed in metaphorical applications. Geographer David Harvey has developed ideas about the different conceptions of space and time, and it is this research that can grant material geography a more precise and accurate definition in literary studies, and thus ensure that issues of materiality are not sidelined by metaphorical considerations. Wallace Thurman's novel The Blacker the Berry, when read through a lens of material geography that is focused with Harvey's space and time conceptions, suggests a method of identity formation complicated by the earth's physical insensibility to humankind (I focus specifically on mountains). Other texts of the New Negro era (namely the work of leading lights such as W.E.B. Du Bois and Langston Hughes) also show evidence of entertaining the planet's a-national characteristics. Members of both the old and new guard of the New Negro era worked to construct an alternative to the "Sambo" image of the Old Negro (Gates 130; van Notten 131-33), even though their views on what this image should be were radically different. While New Negro era writers' efforts to forge a new identity for the black person were explicitly focused on race and its connection to the United States, the mountain trope as used in their texts introduces an a-national perspective that challenges not only the identity building being practiced by New Negro era writers but also current uses of transnationalism which too often result in nationalism re-visited. By using the materiality of mountains in The Blacker the Berry to introduce a-nationalism, I propose that the novel does not simply explore identity (a point made by several other scholars) but also challenges identity-building practices.

Since the end of World War II, the possibility of fascism and totalitarianism as a global threat continues to proliferate in American art and literature to the point that many individuals paradoxically desire the very things that seek to control them. Postmodern literature often portrays fascism and totalitarianism as it exists under contemporary capitalist systems as a multiplicity of discreet machines operating within objects of desire. These objects are complicated by the 24-hour news cycle and the popularity of solitary, on-demand entertainment that in turn mediates the desires and fears of a population through strict control of information. This thesis examines works by George Saunders, Don DeLillo, and David Foster Wallace through a post-structural lens and seeks to explore the moments in these novels where desire and fascism intersect to create an endless, self-replicating form of control that is often too discreet to notice.

A career with Extension can be very rewarding, but also very demanding, as employees have to balance job stress and time demands with family goals and demands. The very nature of Extension work brings some tension between the job and family, and employees need to be equipped to make decisions about personal and work time. If the Extension System is to be a leader of positive change for individuals, families and communities, its employees must be able to find that balance. Previous research with 4-H agents has identified 23 job responsibilities that were stressors, with some studies showing a direct relationship between Extension work and family problems. To build on these studies and establish the current situation among Extension agents with 4-H responsibilities in the Southern Region, this correlational study examined the relationships and differences between job characteristics and marital satisfaction, how agent characteristics directed those relationships, and what coping mechanisms agents used to ameliorate negative workamily interactions. The study instrument utilized the Locke-Wallace Marital Adjustment Test (LWMAT) to arrive at a global score that represented the distress level of the relationship for each agent. Demographic information and work-related information was also gathered from the agent responses to the instrument, and then used to develop relationships among variables. The findings of the study were that agents experience the stressors in similar ways and amounts, but their perceptions of those stressors and how they affect marital satisfaction differ. The group experiencing the stressors to the most detrimental level was the members of the “Sandwich Generation,” which include employees aged 35-54, and who find their careers sandwiched between raising children and caring for aging parents. They, along with other agents, need to employ numerous strategies to cope with the stresses they experience, including prioritizing, planning, and building a strong social support system as the top strategies.

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