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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The poetry of Vernon Watkins: a critical study

Berry, Alice Lang, 1928- January 1964 (has links)
No description available.
2

Julius Watkins and the evolution of the jazz French horn genre

Smith, Patrick Gregory. January 2005 (has links)
Thesis (Ph.D.)--University of Florida, 2005. / Title from title page of source document. Document formatted into pages; contains 224 pages. Includes vita. Includes bibliographical references.
3

Alfred Watkins and the Lassiter High School Band a qualitative study /

Samuels, Sue. Walls, Kimberly C. January 2009 (has links)
Dissertation (Ph.D.)--Auburn University, 2009. / Abstract. Includes bibliographic references (p.98-108).
4

Arthur V. Watkins and the Indians of Utah a study of federal termination policy /

Metcalf, R. Warren. January 1995 (has links)
Thesis (Ph. D.)--Arizona State University, 1995. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves [299]-307).
5

Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins and Lars von Trier

Jovanovic, Nenad 19 November 2013 (has links)
In this dissertation I investigate the stylistic shift in the cinema of selected filmmakers whose work is rooted in Bertolt Brecht’s dramatic theory: Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier. Through the work of these filmmakers, I trace the ongoing change in the cinematic applications of the theory. By and large, the change consists of a lessening of the role of montage – a technique that occupies a paramount place in Brecht’s theatrical and filmic practice – in favour of the objects within the camera’s field of view and the sounds within the microphone’s range. Since the ultimate effect for which the Brechtian filmmaker aims is that of Verfremdung, theatrical stylisation – itself estranging within the context of cinema – appears as a natural corollary of the described shift in emphasis. I also suggest a causal connection between the aforementioned shift and the growing self-consciousness of the style employed by meainstream cinemas (of which Hollywood is the foremost representative), which often manifests itself in the use of unorthodox editing patterns. Accordingly, I propose that we can attribute the contemporary Brechtian filmmaker’s growing reliance on mise-en-scène elements as a source of Verfremdung largely to the major film industries’ adoption of montage and other specifically cinematic codes that make a film’s style overt. Not surprisingly, perhaps, the Brechtian filmmaker – whose political stance is inherently antagonistic to that exemplified by most mainstream cinema, reacts to the normalisation of foregrounded film style by employing the opposite strategy.
6

Brechtian Cinemas: Montage and Theatricality in Jean-Marie Straub and Danièle Huillet, Peter Watkins and Lars von Trier

Jovanovic, Nenad 19 November 2013 (has links)
In this dissertation I investigate the stylistic shift in the cinema of selected filmmakers whose work is rooted in Bertolt Brecht’s dramatic theory: Jean-Marie Straub and Danièle Huillet, Peter Watkins, and Lars von Trier. Through the work of these filmmakers, I trace the ongoing change in the cinematic applications of the theory. By and large, the change consists of a lessening of the role of montage – a technique that occupies a paramount place in Brecht’s theatrical and filmic practice – in favour of the objects within the camera’s field of view and the sounds within the microphone’s range. Since the ultimate effect for which the Brechtian filmmaker aims is that of Verfremdung, theatrical stylisation – itself estranging within the context of cinema – appears as a natural corollary of the described shift in emphasis. I also suggest a causal connection between the aforementioned shift and the growing self-consciousness of the style employed by meainstream cinemas (of which Hollywood is the foremost representative), which often manifests itself in the use of unorthodox editing patterns. Accordingly, I propose that we can attribute the contemporary Brechtian filmmaker’s growing reliance on mise-en-scène elements as a source of Verfremdung largely to the major film industries’ adoption of montage and other specifically cinematic codes that make a film’s style overt. Not surprisingly, perhaps, the Brechtian filmmaker – whose political stance is inherently antagonistic to that exemplified by most mainstream cinema, reacts to the normalisation of foregrounded film style by employing the opposite strategy.
7

The industrialization of textile production on the Missouri frontier : women's interwoven roles of family and work in a rural community /

Lentz, Elizabeth S. January 1997 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 204-210). Also available on the Internet.
8

The industrialization of textile production on the Missouri frontier women's interwoven roles of family and work in a rural community /

Lentz, Elizabeth S. January 1997 (has links)
Thesis (Ph. D.)--University of Missouri-Columbia, 1997. / Typescript. Vita. Includes bibliographical references (leaves 204-210). Also available on the Internet.
9

Carleton E. Watkins pioneer California photographer, 1829-1916 : a study in the evolution of photographic style during the first decade of wet plate photography /

Sexton, Nanette Margaret. Watkins, Carleton E., January 1982 (has links)
Thesis (Ph. D.)--Harvard University, 1982. / Vol. [2]: Plates, Checklist. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (vol. [1], leaves 351-357).
10

Peter Watkins - Monoform / Peter Watkins - Monoform

Hogenauer, Michal January 2013 (has links)
The theses deals with the life and work of british film direct Peter Watkins. It starts from his amateur work and goes to his last film. The individual films reflect the filmmaker's continuous effort to create films against the establishment and monotonous methods of directing and producing. The second part of this theses describes the monotonous formal concept named by Peter Watkins as Monoform and his personal and conscious distancing from it.

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