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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 131 to 140 of 141 (0.065 seconds)Spelling suggestions: "subject:"bedding""
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DER WAHRE WEINSTOCK: DIE BEDEUTUNG DES WEINSTOCKMOTIVS IN JOHANNES 15:1-8 / The true vine : the meaning of the vine motif in John 15:1-8Volker, Daniel 06 1900 (has links)
Summaries in German and English / Ziel der Forschungsarbeitet ist es, zu zeigen, dass die johanneische Weinstockrede das
alttestamentlich und frühjüdisch geprägte Weinstockmotiv aufgreift und weiter entfaltet.
So finden sich in Joh 15:1-8 die Beziehungsebene zwischen Gott und seinen Nachfolgern,
die ethische Konnotation, der Gerichtsgedanke, der messianisch-eschatologische Aspekt
und der Gedanke von Fruchtbarkeit und Fülle wieder.
Es wird deutlich, dass sich in Jesus erfüllt hat, worauf die alttestamentlichen und
frühjüdischen Schriften durch die Verwendung des Weinstockmotivs abgezielt haben: Er
ist der angekündigte Messias, dessen Kommen Fülle mit sich bringt. Dies hat sich bereits
durch Jesu erstes Zeichen, die Verwandlung von Wasser zu Wein (Joh 2:1-11),
angedeutet.
Neu ist der Gedanke, dass Jesus seine Nachfolger in sein Wirken mit einbezieht.
Sie partizipieren an seiner messianischen Fülle und produzieren den Überfluss in
Abhängigkeit von Jesus auch selbst mit. Voraussetzung dafür ist, dass die Jünger ihre
enge Beziehung zu Jesus durch Gebet und das Einhalten seines Wortes aufrechterhalten
und sich an seinem Vorbild orientieren. / The purpose of this thesis is to show that the Johannine vine speech takes up and further
develops the vine motif of the Old Testament and early Jewish history. In John 15:1-8 we
find emphasis on the relationship between God and his disciples, the ethical connotation,
the warning of judgement, the messianic-eschatological aspect and the concepts of
fruitfulness and fullness.
I will show in this thesis, that the the Old Testament and early Jewish writings that
use the vine motif are fulfilled in Jesus Christ: He is the announced Messiah, whose
coming will bring fullness. This is already implied in Jesus’s first miracle, turning water
into wine (John 2:1-11).
What is new is that Jesus includes his disciples in his ministry. They participate in his
messianic abundance and in dependence on Jesus they themselves produce abundance.
The prerequisite for this abundant fruitfulness is a close relationship with Jesus through
prayer, abiding in his word, and following his example. / New Testament / M. Th.(New Testament)
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Spettacolarità e scenografia a Milano tra età teresiana e giuseppinaBARBIERI, FRANCESCA 13 March 2012 (has links)
Nella seconda metà del Settecento Milano diventò un centro di riferimento per la scenografia a livello internazionale. La tesi studia l’evoluzione della spettacolarità e della scenografia in un periodo cruciale per la città (1765-1792) prendendo in esame non solo il teatro, ma anche gli aspetti connessi agli eventi festivi legati al potere. La ricerca è basata primariamente sulle fonti iconografiche, soprattutto disegni e incisioni, reperite negli archivi milanesi e nazionali; l’analisi di libretti, relazioni, periodici e altra documentazione ha inoltre offerto altri elementi utili alla delineazione dello scenario culturale di riferimento. In primo luogo, si prendono in esame eventi dinastici, quali i festeggiamenti nuziali, i passaggi e gli ingressi dei sovrani, le feste per nascita e le esequie. Sono inoltre considerati gli sviluppi della scenografia milanese prima al Regio Ducal Teatro e poi al Teatro alla Scala, con particolare riguardo all’opera di personalità di primo piano come i fratelli Galliari e Pietro Gonzaga. Ne emerge un quadro complesso che aspira a ricostruire la trama di rapporti che legano la scenografia all’universo della rappresentazione nella Milano del XVIII secolo. / In the second half of the 18th century Milan became a very influent centre for the art of stage designing. This PhD thesis seeks to investigate the developments of the visual aspects of theatricality in a crucial period (1765-1792) for Milan. This study is based on iconographic sources, namely engravings and drawings. The analysis focuses on public and political events (wedding festivals, state funerals and royal entries) and, at the same time, on theatre. The research considers the development of stage design at the Regio Ducal Teatro and the Teatro alla Scala. It concentrates on the works of the most important scene-painters of the period: the brothers Fabrizio and Bernardino Galliari and Pietro Gonzaga. As a result, the study provides an analysis of the several components of visual representation and their features.
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| 133 |
Rodina a žena v kyrgyzské společnosti / The Family and Women in Kyrgyz SocietyGregorová, Barbora January 2016 (has links)
This dissertation focuses on the status of women in Central Asian society, particularly in Kyrgyzstan, and the phenomena of the Kyrgyz family that is the central part of daily living of Kyrgyz people. We provide an introduction to the region, followed by an analysis of a social stratification of Kyrgyz society and a various types of families. The next chapter describes the three major historical periods and changes in women's position in the society. The first period spans up to 1917, its end marked by the Bolshevik coup. Until that time, The Kyrgyz society was nomadic, organized into tribes, clans, and large patriarchal families. The 1920's were tumultuous times for the Central Asian region, at that time newly dominated by the Soviet rule, undergoing industrialization, public education, experiencing improvements in health care, but on the other hand also confiscation, forced resettlement, and russification. New rights have been granted to women, however local patriarchal and feudal traditions persisted and continued in the local societies. After the Soviet Union collapsed in 1991, Kyrgyz people started returning to their national traditions and discrimination against women started to be openly discussed in the society. Our historical retrospective analysis explores the major types of Kyrgyz...
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| 134 |
Elements of cross-cultural music composition : the creation of Esidialo-- a Samia marriage suiteMusungu, Gabriel Joseph 07 1900 (has links)
Cross – cultural composition has been defined as the creation of a cultural synthesis of the old and new, traditional and foreign into philosophical, artistic, stylistic and aesthetic product that communicates to various audiences. The study adopted a mode of creativity / dynamic approach through the synthesis of traditional Samia marriage music and Western compositional techniques and approaches. To ground the study in the rich cultural traditions of the Samia people of Funyula Division in Western Province of Kenya, an anthropological documentation formed an important part of the study.
The study adopted Absolute Formalism theory by Reimer (1989) based on component relationships in which different parts like harmony, melody, and text rhythm relate to one another to create unity. The study also incorporated Aesthetic Functionalism theory by Akuno (1997) on social functions in which; the contextual meaning of the composition was based. The study used the Accommodation theory on Convergence, Giles and Smith (Giles & St Clair, 1979) to unify the analogous aspects in the two stated theories.
In the study, descriptive and creative designs were used to cater for the music and social context. In the descriptive phase, Samia marriage folk songs were collected from traditional performers, who were also, interviewed using a questionnaire. Purposeful and snowball sampling techniques were used to select twenty folk songs. They were recorded, transcribed and analysed for dominant traditional musical features and compositional promise. In the creative phase, lyrics were identified and reorganised, the prevalent features isolated and used. The result was a compositional inspiration on which the Marriage Suite was based.
The ultimate product of the study was an artistic model framework that could guide the creation of art music using Kenyan traditional music idioms; accomplished through the Marriage Suite.
To safeguard contextual and music fidelity, member checking was consistently maintained during data collection and creative phase. Rhythmic and melodic accuracy of the transcribed songs was ascertained by play backs using FINALE music notation.
Social identity in the composition was taken into account through use of Samia music characteristics that included intervals, solo-responsorial aspects, overlapping entries, parallelism and common rhythmic patterns. / Art History, Visual Arts and Musicology / D. Litt et Phil. (Musicology)
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Dějinný vývoj uzavírání křesťanského manželství a srovnání vybraných obřadů sňatkové liturgie římskokatolické církve a pravoslavné církve byzantského ritu / The Process of Christian Wedding Liturgy in History, Comparison of the Selected Wedding Ceremonies with the Roman Catholic Church and the Orthodox Church of Byzantine typeBĚHAL, Martin January 2010 (has links)
The Thesis deals with the historical development of Christian marriage and conversion from the original family ritual to the public ceremony, from secular (state) rituals to the church type of marriage. It describes the beginning of the wedding liturgy at the West and the East. The first part of Thesis deals, except the history of wedding ritual, also with the theology of marriage with selected representatives of the West and the East {--} the Roman Catholic Church and the Orthodox Church of Byzantine type. The wedding ceremonies of both churches are described in detail in other parts of the Thesis. They are subsequently compared with a reference to the similar elements and defining the specific parts. The comparison shows that the substantial part of the Roman Catholic ceremony is the bride´s and groom´s wedding vow. The priest is the privileged witness representing the church and he only accepts the vow. Whereas at the Orthodox Church of Byzantine type the marriage is concluded by priest´s blessing and coronation. In the final part the author thinks about the possible suggestion of a ceremony that would include the liturgy elements from both selected churches.
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| 136 |
Vigselgudstjänstens teologi i praktiken : Fallstudier av vigselgudstjänster i Svenska kyrkan utifrån liturgisk teologi, performanceteori och ritteori / Wedding Service Theology in Practice : Case Studies of Wedding Services in the Church of Sweden from the perspective of Liturgical Theology, Performance Theory and Ritual TheoryIngrid, Dahlström January 2021 (has links)
In this essay I have studied wedding services in the Church of Sweden, as they are actually performed. I do this from a liturgical-theological perspective, a performance- perspective and from the perspective of ritual studies. According to the performance- perspective the wedding service can be seen as consisting of different scripts, for example, the normative script of the handbook, the script of the wedding-couple and the script of the minister. The main question is: What is constructed when these three scripts meet in a wedding service? I first study each script. I give an account for the script of the handbook and analyse it by placing it in a historical, liturgical and theological context. The script of the wedding couple and the minister I uncover by participant observations of three wedding services and interviews with the couples and ministers acting in these services. Thereafter I analyse the scripts of the couples and the minsters looking at themes that appear to be important in these scripts and in the handbook. Such themes are the wedding service as a service of blessing, the legal aspect of the service, the construction of family through marriage, love, the service as a ritual, the setting of the wedding, the role of the minister, the importance of participation and the role of the music. I conclude that the three scripts are indeed three very different scripts, but when they are juxtaposed a new meaning is constructed. This can occur even if the script are not correlating or even to some extent collides. One important factor for meaning to be constructed is the ritualization, acts that make the service a ritual. This seems to be more important than the fact that the scripts correlate. Another important factor for meaning to be constructed is that the scripts actually meet, that they actually are juxtaposed together. For this to happen the minister has to clarify his/her own script and be responsive to the couple’s script. Then the minister can relate their script to blessing, prayer and scripture. Normatively, I conclude that the wedding service becomes a meaningful wedding service when the couple’s scripts are related to the greater, transcendent Script
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| 137 |
Eucharistie v Janově evangeliu / The Eucharist in the Gospel of JohnPOLÁČEK, Martin January 2007 (has links)
The presented work deals with the conception of the Eucharist in the Gospel of John. The first chapter is dedicated to terms of the Eucharist, the Last Supper and the Lord{\crq}s Supper and also to the existing division of possible approaches to the sacramentality in the Gospel of John. In the subsequent chapters it deals in detail with five places of the Gospel of John, that are mostly mentioned in connection with the Eucharist. It is the wedding at Cana (2,1-11), the eucharistic section (6,51-58), washing of the feet of disciples (13,1-20), the Vine and the Branches (15,1-17), opening of the side of Jesus (19,34). The work tries to solve the topic (question) in the context as wide as possible including the question of the johannine sources of inspiration. In this way it can be seen the mutual correspondence of these varios places and the deep theological conception of the hole Gospel. The replacement of the institution of the Eucharist in the thirteenth chapter with the washing of the feet and it{\crq}s displacement to {\clqq}the bread of life discourse`` in the sixth chapter is due to the proper evangelist{\crq}s intention. There was an impending danger, that the Eucharist became a magical medicine without any relation to the incarnation and the sacrifitial death of Jesus. These facts have theirs own consequences for the life of the christian community. So the subject of the sacraments has been subordinated to the christological accent.
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| 138 |
Wahre Weinstock: die bedeuting des Weinstockmotivs in Johannes 15:1-8 / The true vine: the meaning of the vine motif in John 15:1-8Volker, Daniel 06 1900 (has links)
Summaries in German and English / Text in German / Ziel der Forschungsarbeitet ist es, zu zeigen, dass die johanneische Weinstockrede das
alttestamentlich und frühjüdisch geprägte Weinstockmotiv aufgreift und weiter entfaltet.
So finden sich in Joh 15:1-8 die Beziehungsebene zwischen Gott und seinen Nachfolgern,
die ethische Konnotation, der Gerichtsgedanke, der messianisch-eschatologische Aspekt
und der Gedanke von Fruchtbarkeit und Fülle wieder.
Es wird deutlich, dass sich in Jesus erfüllt hat, worauf die alttestamentlichen und
frühjüdischen Schriften durch die Verwendung des Weinstockmotivs abgezielt haben: Er
ist der angekündigte Messias, dessen Kommen Fülle mit sich bringt. Dies hat sich bereits
durch Jesu erstes Zeichen, die Verwandlung von Wasser zu Wein (Joh 2:1-11),
angedeutet.
Neu ist der Gedanke, dass Jesus seine Nachfolger in sein Wirken mit einbezieht.
Sie partizipieren an seiner messianischen Fülle und produzieren den Überfluss in
Abhängigkeit von Jesus auch selbst mit. Voraussetzung dafür ist, dass die Jünger ihre
enge Beziehung zu Jesus durch Gebet und das Einhalten seines Wortes aufrechterhalten
und sich an seinem Vorbild orientieren. / The purpose of this thesis is to show that the Johannine vine speech takes up and further
develops the vine motif of the Old Testament and early Jewish history. In John 15:1-8 we
find emphasis on the relationship between God and his disciples, the ethical connotation,
the warning of judgement, the messianic-eschatological aspect and the concepts of
fruitfulness and fullness.
I will show in this thesis, that the the Old Testament and early Jewish writings that
use the vine motif are fulfilled in Jesus Christ: He is the announced Messiah, whose
coming will bring fullness. This is already implied in Jesus’s first miracle, turning water
into wine (John 2:1-11).
What is new is that Jesus includes his disciples in his ministry. They participate in his
messianic abundance and in dependence on Jesus they themselves produce abundance.
The prerequisite for this abundant fruitfulness is a close relationship with Jesus through
prayer, abiding in his word, and following his example. / New Testament / M. Th. (New Testament)
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Bodies, spirits, and the living landscape : interpreting the Bible in Owamboland, NamibiaJohn, Helen Catherine January 2016 (has links)
This study explores the relationship between Christianity and autochthonous (indigenous, pre-Christian) worldviews and practices amongst the Aandonga of Owamboland, Northern Namibia. Using participant contributions from a series of Contextual Bible Study (CBS) sessions (with groups of men, women, and children), and supplemented by ethnographic contextualisation, it challenges the oft-contended notion that Christian worldviews and practices have erased the significance of African Traditional Religion for Ndonga (or wider Owambo) communities. The enduring significance of autochthonous worldviews and practices is explored using responses to six biblical texts, each of which relates to at least one of three themes: bodies, spirits, and landscapes. The study examines feasting bodies (The Parable of the Wedding Banquet), bleeding bodies (The Haemorrhaging Woman), and possessed bodies (Legion). It considers possession spirits (Legion), natural spirits (the so-called ‘Nature Miracles’), and ancestor spirits (Resurrection appearances). Perspectives on landscapes are highlighted particularly in relation to aspects of the natural environment (the ‘Nature Miracles’) and the locations explored by an itinerant demoniac (Legion). Responses to the texts engender, inter alia, discussions of contemporary perspectives on diviner-healers (oonganga), witchcraft (uulodhi), the homestead (egumbo), burial grounds (omayendo, oompampa), spirits (iiluli, oompwidhuli), ancestors (aathithi), material agency (for example, apotropaic amulets), and the ‘traditional’ wedding (ohango). Having analysed the ways in which autochthonous worldviews informed participants’ interpretations of the particular texts considered (Matthew 22:1-14 & Luke 14:7-11; Mark 5:21-43; Luke 8:26-39; Mark 4:35-41 & 6:45-52; Luke 24), each set of interpretations is brought into conversation with professional biblical scholarship. The study therefore highlights the ways in which these grassroots, ‘contextual’ interpretations might nuance New Testament interpretations returned by the Academy, particularly by highlighting the highly contextual nature of the latter.
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Le train de vie en droit privé / Standard of living in private lawMartinez, Michaël 19 October 2016 (has links)
Locution issue du langage courant, le « train de vie » a été importée dans la sphère juridique dès la fin des années 1930 pour lutter contre la fraude fiscale. Depuis les années 1960 et surtout 2000 elle est utilisée dans toutes les branches du droit privé. Elle n’a pourtant reçu aucune définition. Partant de ce constat, la première partie de cette thèse s’intéresse au contenu juridique de la notion de train de vie. Elle y est définie comme la jouissance, à titre habituel d’une certaine quantité de biens et de services, caractérisant à la fois un niveau de vie et une habitude de vie. Il ressort de cette définition que tant les biens que les services peuvent être le support du train de vie, que cette notion s’apprécie en jouissance et non en propriété et qu’une condition de durée doit être remplie. La seconde partie de cette thèse s’intéresse aux effets qui sont attachés au train de vie. Il est toujours utilisé en tant que point de référence mais n’est pas toujours invoqué par la même personne. Ainsi, le train de vie peut être soit opposé à son bénéficiaire par un tiers, soit opposé par son bénéficiaire à un tiers. Dans le premier cas, il est un point de référence permettant d’identifier une disproportion, à laquelle sont attachées des conséquences juridiques néfastes pour le bénéficiaire du train de vie. Dans le second cas, il sert de point de référence pour apprécier et traiter une situation de rupture patrimoniale. Caractérisant une situation économique habituelle, le train de vie est doté d’une certaine inertie,qui nécessite qu’il ne soit pas arrêté brutalement. Il est alors de nature à conférer des droits à son bénéficiaire. / An expression usually found in everyday language, the « train de vie », or standard of living, wasbrought into the legal sphere as early as the late 1930’s in a bid to fight fiscal fraud. Since the 1960’s, and evenmore so since the 2000’s, it is found in all branches of private law. It has, however, never been defined.Therefore, the first part of this thesis looks into the legal content of the idea of « train de vie ». It is definedhere as the enjoyment of a certain quantity of goods and services that has come to be the habitual, markingboth a standard of living and a life habit. This definition of the expression leads to the conclusion that as goodsand services can support of the « train de vie », this is a notion that is to be assessed in enjoyment and not inpropriety, and that a condition of length of time is to be fulfilled. The second part of this thesis focuses on theeffects attached to the « train de vie ». It is still used as a reference point but not always invoked by the sameperson. Therefore, the “train de vie” can either be set against it’s beneficiary by a third party, or by it’sbeneficiary against a third party. In the first case, it becomes a point of reference allowing to identify a lack ofproportion, unto which are attached legal consequences unfavorable to the beneficiary of the « train de vie ».In the second case, it serves as a point of reference to asses and deal with a situation of a patrimonial break.Charaterizing a habitual economic situation, le “train de vie” is endowed with a measure of inertia, whichrequires that it not by stopped suddenly. It is thusfore of a nature to create rights for it’s beneficiary.
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