Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-23Bitstream added on 2014-06-13T19:34:51Z : No. of bitstreams: 1 codinhoto_djr_me_sjrp.pdf: 306018 bytes, checksum: d9328777870c242c01bb2d883e00703a (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / É proposto nesta dissertação o levantamento de alguns aspectos da obra poética do poeta contemporâneo Fabio Weintraub (composta por Sistema de erros, de 1996, Novo endereço, de 2004 e Baque, de 2007, com ênfase da pesquisa para este último), aspectos estes como a incorporação da voz e/ou a descrição narrativa de outro que não o eu – lírico em seus poemas (geralmente o excluído, o marginalizado pela sociedade, como o bêbado, a prostituta, o mendigo, a moradora de rua, o louco, o aleijado, o idoso, o doente), sob a perspectiva de dois conceitos elaborados pelo crítico literário e filósofo alemão Walter Benjamin (1989, 1994), a saber: “experiência” e “choque”. Assim, partindo da hipótese de que nos poemas de Weintraub (1996; 2004; 2007) o baque, ou melhor, o choque se estabelece como norma, procura-se sistematizar como se configura essa experiência do choque nos poemas / It is proposed in this study a survey of some aspects of contemporary poet Fabio Weintraub’s work, which is composed by Sistema de erros (1996), Novo endereço (2004) and Baque (2007), and this research is focused especially in the last one. The main investigated aspects were the voice incorporation and/or the description narrative of urban subjects, usually the metropolitan’s pariahs, in Weintraub’s poems, such the drunk, the prostitute, the beggar, the homeless, the demented, the handicap, the elders, the invalid. These aspects were investigated from the perspective of two concepts by the Germany’s philosopher Walter Benjamin (1985, 1989), “experience” (erfahrung) and “shock” (schock). Therefore, assuming that the Weintraub’s poems (1996; 2004; 2007) the shock (baque, in Portuguese, is a concept similar to shock) is established as the rule, this work aims at systematize the shock experience in his poems

Ce mémoire explore le rôle de la satire dans les quatre romans canadiens suivants : The apprenticeship of Duddy Kravitz (1959) et Barney's version (1997) de Mordecai Richler ainsi que Why rock the boat (1961) et The underdogs (1979) de William Weintraub. Ayant pour objectif de démontrer que ces deux auteurs, qui se servent des approches satiriques contrastantes, sont des innovateurs dans la tradition satirique canadienne à cause de leur regard sur des préoccupations urbaines et minoritaires, cette étude examine dans un premier temps les aspects de la société montréalaise qui sont des objets de satire dans Why rock the boat et The apprenticeship of Duddy Kravitz. Ensuite, ce mémoire étudie la façon dont ces auteurs mitigent leurs réponses au nationalisme québécois dans The underdogs et Barney's version afin de produire une vision satirique qui critique le mouvement souverainiste, mais s'avère sympathique à la langue et la culture des franco-québécois.