Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 1999. / Abstract and vita. Includes bibliographical references (leaves 104-107).

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Abstracts THE TAINT This is a memoir of Ray “Poss” Ide, a man who has carried the taint of a horrifying crime since he was seventeen years old─a crime he claims he did not commit. The crime was the rape of a fourteen-year-old girl. The Taint looks at the time leading up to his conviction for rape, including the years he spent in Westbrook Boys’ Reformatory and Boggo Road Gaol as a minor, and then his sentence served in NSW gaols with such inmates as Stephen Bradley, the man who kidnapped and murdered Graham Thorne, and the bizarre but rather likeable Dave Scanlan, known for his exploits as “the Kingsgrove Slasher”. In prison, Scanlan encouraged him to become an elite sportsman and released, Poss was recruited by Canterbury Eels football team; but just on the point of making a name for himself in Sydney, someone discovered that he had been gaoled for rape, and humiliated, he left the team. He moved back home to Queensland via Grafton, NSW (where he met and later married the Jacaranda Queen) and continued his sporting career, but never again in the Big League. He became the Manager of the Waterside Workers’ Club and helped prevent a turf war between the Wharfies and members of the Painters and Dockers. Poss is now working with lawyer Robert Bax to have his case re-opened. He believes his story to be a cautionary tale for young men. It is a chronicle of social change, including the sexual revolution of the sixties, the confrontations with “the demons” in the streets of Brisbane during the Joh era of Bible-bashing fundamentalism and police corruption. It’s a story about what really went on behind closed doors in institutions where vulnerable children were preyed upon, in gaols where men were expected to become beasts. It is a story of how the taint of a terrible crime affected a man’s whole life. “QUESTIONS OF OWNERSHIP” Writing someone else’s story can be an ethical minefield─especially regarding questions of ownership. Who owns the story, the subject or the author? The easy answer to this is the subject owns the story and the author the text, but on closer examination this may not necessarily be so. Then there are those other stakeholders who claim ownership of story: people who embrace a narrative because of its similarity to their own lives. Published stories about institutional abuse have resonated for adults who as children were placed into the care of churches or the state. Another kind of ownership is claimed by readers who accept a version of a story and dismiss any counter-story as being invalid. What I call the “Plath Phenomenon” is an example of this. I will examine these kinds of ownership of story with particular reference to the work of Janet Malcolm on biography and then will look at gaps and silences in “official” stories, those created in police stations and courtrooms.

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 1999. / Abstract and vita. Includes bibliographical references (leaves 104-107).

Thesis (D. Min.)--New Orleans Baptist Theological Seminary, 1999. / Abstract and vita. Includes bibliographical references (leaves 104-107).