Hierdie tesis in kreatiewe skryfwerk is 'n ondersoek na die landskap van my verse in Die vloedbos wal weer vlieg. Toepassing vind plaas teen di agtergrond van 'n tematiese indeling van die teks. Harold Bloom se benadering in A map of misreading word gevolg ter bevestiging van digterlike identiteit. My motivering tot die skryf va poësie word voorts geanaliseer aan die hand van Paul Ricoeur se teorie vir narratiewe hoop, Passion for the possible, en Rainer Maria Rilke se insigte in Letters to a young poet. word die invloed van letterkunde, visuale kuns en die genesende waarde van die verhaalvers bespreek. Die studie geskied binne die mitologiese en psigonalitiese raam werk wat onder meer geskep is in Roland Bartes In mythologies, Clarissa Pinkola Estés in Women who run with the wolves en Sigmund Freud se analise van Der Todestrieb. Die Leksikon van A. D. de Vries en J. E. Cirlot word deurgaans verskaf. (121-122 pages missing)

Includes abstract. / asylum story is a short literary novel set in South Africa in the year 2019. The protagonist is infected with a deadly new respiratory disease and being held in a quarantine facility near a fictional town in the Karoo. The novel spans a six-month period during which the protagonist becomes involved in an ultimately failed attempt to escape. The novel is partly inspired by the Department of Health's decision in 2007 to place patients with drug-resistant strains of tuberculosis into quarantine. Many patients died in this enforced captivity. Conditions in some facilities were reportedly very poor and in 2008 there was a high-profile escape from the Jose Pearson quarantine facility. Though the disease in the novel is not drug-resistant tuberculosis, it is something similar, and the response to the fictional disease is comparable in some ways to the real-life medical response to the TB scare. The novel is set in a universe that is similar but different to our own, allowing the exploration of universal themes without the constraint of a rigid representation of current reality.

Includes abstract.|Includes bibliographical references. / When Megan’s aged and addled father goes missing in Lahaina, Maui, where he has been living most of his adult life, she must decide whether and how she should help to find him. As a child, she knew him only through their two weeks together each December; as a young adult, she had to deal with the consequences of his alcoholism and her stepsister’s accusation that he molested her. Now Megan is fortyone, married to Steven and the mother of a young daughter, Jess; but she is her father’s only child and her stepmother needs her help. As Megan returns to Maui she recalls her Christmases with her father. Both good and bad memories are evoked as she searches for him: from the delights of snorkelling, the horrors of a cock fight, and the stories of the locals, to the beauty of the tropical landscape. We follow her as she visits the once-isolated community of Hansen’s disease sufferers at Kalaupapa, on Molokai; tracks down her stepsister where she is working at the landmark Pioneer Inn, and walks through the historical sites of ancient Lahaina, once the home of Hawaiian royalty. We discover what it is like to work at a commercial luau and how she became a chef on Kauai.

Includes bibliographical references. / This novel is about guilt, blame, truth, reconciliation, jazz, and goats. When we first meet them, the two main characters, Mia and Cassie, are grieving the loss of another character, Sam, to an act of random violence. Each bears some measure of indirect guilt in relation to Sam's death, and each finds ways to avoid confronting it. Herein lies the seed of the book's main theme: frustrated catharsis.

Includes abstract. / Includes bibliographical references (leaves 242-244). / This novel tells the story of an eccentric, forty-six year old writer, critic and consultant, Norman Frye, whose speciality is all things culinary. He lives with his pet rat in a converted cellar below an early 20th century city town house in Kenilworth, Cape Town. The action takes place over fifty days as the central characters and their complicated lives interweave towards a resolution.

Includes abstract. / Patchwork is a fictional story told by a female character from her perspective as a child and as an adult. Its set in Zambia over two periods in time, the late seventies and the start of the millennium. It's the story of family ties and how a child can get caught up in the consequences of the actions and decisions adult's make. The story reveals how the effects of these consequences can manifest in the child's life for many years after the fact. Pumpkin is the result of a relationship between a teenage woman and a married man. The coming of age story reveals the impact growing up with a part-time father has on Pumpkin. Particularly the lengths she's prepared to go to explain her father's absence to her friends and the rejection she feels when one day her father ignores her in the street when he's with his legitimate family. Pumpkin's mother turns to alcohol as a shield from the heartache she suffers in her relationship with an older married man and Pumpkin is burdened with having to look after her mother. Pumpkin's life takes a turn when her father takes her to live with him in his marital home. Thrust into the hostile environment of her new home, Pumpkin finds herself trying to adjust to a different life. Caught between struggling to survive a new home, making new bonds, and experiencing life issues such as the death of a neighbour, Pumpkin also has to accept the fact that her parents will never be together when her mother sobers and gets married.

Includes bibliographical references. / This work of creative non-fiction encompasses episodes of travel motivated by the author’s desire to expose her children to different cultures and philosophies as an antidote to her own experiences of growing up during apartheid. The journeys are undertaken over a period of 18 years, starting in 1993, just before the birth of a democratic South Africa. Crossing borders refers to both personal and physical expansion, juxtaposing the isolation of apartheid with the freedom to explore that which was foreign. The main theme is that of leaving home to extend one’s view of self in relation to the world, inculcating the possibility of a global community of mutual respect. Minor themes are identity and searching for roots and a sense of belonging; religious tolerance, equality, respect, climate change and children’s rights are some of the issues grappled with in countries as diverse as Cuba, Greenland and Sweden. Although each chapter focuses on a different country, themes of dispossession, discrimination, colonialism and struggle run throughout. The author uses travel as the vehicle to educate her children beyond the borders of a family and a country emerging from a repressive past , teaching them to challenge stereotypes and showing them that people are not that different on the other side o f a man -made divide. Underpinning this family memoir is the joy of travel and discovery of a wealth of culture, history and mythology through the children’s eyes. The children’s development is traced from infancy through adolescence to early adulthood and concludes with the hope that the foundation has been laid to make a constructive contribution to a more empathetic society.

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There has been a change of regime in a place with very different co-ordinates to the real world, and the President and his intimates - his chef, barber and portraitist - are being held accountable for their complicity by the new Commander. Each man in turn speaks of his appetites, the physical, the tactile, the hurt done by him and to him, detailing the intimacies of his particular embodied life. The significant woman in each man's life gives voice to the minutiae of pain, balancing melancholy, farce and horror, until all characters' voices elide in a whirlpool of personal and public reckoning, memory and desire.