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Colonial subjectivity: an evolving legacy in Ousmane Sembène's La noire de...(1965), Michael Haneke's Caché (2005), and Claire Denis' White material (2009)

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Identiferoai:union.ndltd.org:uiowa.edu/oai:ir.uiowa.edu:etd-3055
Date01 May 2012
CreatorsJordan-Sardi, Veronica
ContributorsUngar, Steven, 1945-
PublisherUniversity of Iowa
Source SetsUniversity of Iowa
LanguageEnglish
Detected LanguageEnglish
Typethesis
Formatapplication/pdf
SourceTheses and Dissertations
RightsCopyright 2012 Veronica Jordan-Sardi

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