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An analysis of texture, timbre, and rhythm in relation to form in Magnus Lindberg's "Gran Duo"

<p> <i>Gran Duo</i> (1999-2000) by Magnus Lindberg (b. 1958) is the result of a commission by Sir Simon Rattle, former conductor of the City of Birmingham (England) Symphony Orchestra, and the Royal Festival Hall to commemorate the third millennium. Composed for twenty-four woodwinds and brass, Lindberg divides the woodwind and brass families into eight characters that serve as participants in an attentive twenty-minute conversation.</p><p> The document includes biographical information about the composition to further understand Lindberg&rsquo;s writing style. The composer&rsquo;s use of computer-assisted composition techniques inspires an alternative structural analysis of <i>Gran Duo.</i> Spectral graphs provide a supplementary tool for score study assisting with the verification of formal structural elements. A tempo chart allows the conductor to easily identify form and tempo relationships between each of the nineteen sections throughout the five-movement composition.</p><p> In order to reveal character areas and their relation to the structure of the work, the analysis of texture, timbre, and rhythm reveal the formal structure of the composition, which reflects a conversation between the brass and woodwinds in this setting for wind instruments.</p>

Identiferoai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:3592105
Date04 October 2013
CreatorsWolfe, Brian Thomas
PublisherThe University of Oklahoma
Source SetsProQuest.com
LanguageEnglish
Detected LanguageEnglish
Typethesis

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