This in-depth ethnographic study focuses on state-sponsored Overseas Chinese Academics (OCAs) and China's managed cultural globalisation based on two years of multi-sited fieldwork in South Africa, Australia, and China. Extending Goffman's (1956) theoretical frameworks of everyday dramatism such as the frontstage and the backstage, I adopt the middlestage as the primary conceptual lens of my investigation. The middlestage of China's managed cultural globalisation is examined as a fluid and embodied space where state-sponsored OCAs and Chinese state institutions negotiate power in the process of producing performances. I argue that for state-sponsored OCAs, the middlestage of China's managed cultural globalisation is simultaneously a space of curation, negotiation, and re-imagination. The research also incorporates an ethnographic fiction titled The Islanders and provides a thick description of my state-sponsored OCA participants' life trajectories. The Islanders reveals how individual OCAs curate their performances and self-presentations, negotiate their social mobility and identities; and reimagine their realities whilst seeking conviviality on the middlestage. The thesis discusses and demonstrates how ethnographic fiction can be used as an essential tool for anthropological research.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/36185 |
| Date | 22 March 2022 |
| Creators | Chen, Tian |
| Contributors | Macdonald, Helen |
| Publisher | Faculty of Humanities, School of African and GenderStuds, Anth and Ling |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Doctoral Thesis, Doctoral, PhD |
| Format | application/pdf |
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