This thesis presents an analysis of Copland's first major serial work, the Quartet for Piano and Strings (1950), using pitch-class set theory and tonal analytical techniques.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278850 |
| Date | 08 1900 |
| Creators | McGowan, James (James John) |
| Contributors | Covach, John Rudolph, Sovik, Thomas Paul, Clark, Thomas Sidney |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 84 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., McGowan, James (James John) |
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