This paper will explore the intersections of gender, sexuality and revolution in contemporary Chinese art through the lens of the Chinese Cultural Revolution. As an integral part in the process of narrative reconstruction, the propaganda imagery from the Cultural Revolution provides important insights into societal expectations for the masses. This paper will also analyze how contemporary artists seek to appropriate and respond to the events of the Cultural Revolution through their artwork, and describe the processes by which the I interpreted this information in order to create my own artwork.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-1340 |
| Date | 17 May 2014 |
| Creators | Chan, Nicole E |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2013 Nicole E. Chan |
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