<p> This thesis compares the structures within industrial production, specifically related to time and the perception of it to the reciprocal resistances and responses within post-war art works. Specifically sound, its relationship to both the human quantification of labor and its exploitation in factory. Suggesting that these – the conditions of human work time – are the material by which artists who work with sound construct ulterior time frames either through processes ranging from deep listening the the co-productive activities surrounding electronic dance music.</p><p>
| Identifer | oai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:10286251 |
| Date | 14 July 2017 |
| Creators | Ferris, Seth Alexander |
| Publisher | University of California, San Diego |
| Source Sets | ProQuest.com |
| Language | English |
| Detected Language | English |
| Type | thesis |
Page generated in 0.0018 seconds