From the simple electronic vibrator to the complex assemblages of cybersex, sex and technology have always intersected. The dynamic relations between sexuality and technology are constantly changing along with the ways in which human beings achieve psychological and bodily pleasure through these devices. Sex machine, a term that denotes an automated device that can assist human in the pursuits of sex, has been broadly defined as therapeutic and pleasure machines in the West. Large numbers of sex machines have been documented in Europe and America starting from the nineteenth century, and were widely produced and utilized by medical practitioners, sex toy makers and individuals throughout history. This research focuses on three kinds of sex machines that have been produced and represented visually in recent years: fucking-machines, teledildonics and humanoid sex machines. By using the poststructuralist approach of combining the material and symbolic dimensions in the analysis, the thesis aims at investigating the cultural significance of sex machines by studying how they are identified, represented and produced as cultural text/artefact in the Euro-American subcultural sexual context. Through a queer reading of sex machines, the project will explore how sex machines re-configure the way we understand body, gender, sexuality and technology in the human pursuit of pleasure and desire.
Identifer | oai:union.ndltd.org:ln.edu.hk/oai:commons.ln.edu.hk:cs_etd-1004 |
Date | 01 January 2009 |
Creators | LEUNG, Hok Bun, Isaac |
Publisher | Digital Commons @ Lingnan University |
Source Sets | Lingnan University |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | Theses & Dissertations |
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