This thesis works as a means for exploring the role of dreams and otherness within performance practice. By building upon the work of French intellectual Georges Bataille, I work to propose a method by which dreams may be incorporated through a phenomenological lens intended to invite openness to interpretation as a means of engaging the otherness of the audience. To aid in this theoretical aim, I highlight In Quiet Search of a Universal Gesture (a show featured in the Marion Kleinau Theatre directed by myself and Jason Hedrick) as an example of dream art as a means of exploring otherness.
| Identifer | oai:union.ndltd.org:siu.edu/oai:opensiuc.lib.siu.edu:theses-3191 |
| Date | 01 August 2017 |
| Creators | Lockwood, Alex |
| Publisher | OpenSIUC |
| Source Sets | Southern Illinois University Carbondale |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses |
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