David Burge (b. 1930) composed the work Go-Hyang (1994) inspired by his impressions of Korea. the purpose of this study is to provide a performance guide particularly for the benefit of non- Korean pianists. Each of the six pieces of Go-Hyang contains Korean musical and/or cultural references. This document details these aspects, obviously stated or implied through the work. Investigation into distinct characteristics and Korean elements of each of the six movements will involve sources from multiple fields. Interviews with both the composer and the pianist Young-Hae Han for whom the work was written answer many questions about performance issues. Once the Korean reference is examined, it will be related to performance consideration of each movement, in order. the result of this examination will provide the performer not only with beneficial information to facilitate the performance but also with some cultural background to enrich the interpretation of the work.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc115109 |
| Date | 05 1900 |
| Creators | Lee, Soomin |
| Contributors | Paul, Pamela Mia, Puccinelli, Elvia L., Romero, Gustavo |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Lee, Soomin, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Lecture recital: February 28, 2012, ark:/67531/metadc171489 |
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