In The Handmaid’s Tale, Bodily Harm, and Alias Grace, Atwood demonstrates that the connection between language, translation, and the female body is evident in the ways in which language is used to control the female body. Atwood posits that language systems assume the female body is fixed; however, language is inherently unstable. Consequently, if the female body is inscribed by language, the female body is not fixed just as a text is not fixed. Atwood writes the female body as a translation of masculinist text in order to resist the tradition of constructing the female body reductively through masculinist language. Through the attempts of her female characters to represent themselves (rather than being represented) in her work, Atwood illustrates that ?authentic? linguistic representation of the female body is impossible because language is a patriarchal construction which defines limitations on female voice and articulates the female body in masculinist terms.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:NSHD.ca#10222/13025 |
| Date | 03 September 2010 |
| Creators | Vaughan, Crystal A. |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
Page generated in 0.0103 seconds