With the advent of nature photography and film came new ways to understand and interpret the natural world. Prior to the 1910s these formats involved a more scientific and objective approach to recording nature. This aesthetic was abandoned in favor for narrative recreations and Hollywood structure after the 1930s. It is my belief that the dominant use of anthropomorphization, manipulations of setting and animal life, and rugged explorer motifs, all have lead to a loss of a more contemplative and meditative appreciation of nature within the Nature television and film format. It is my goal to explore through a series of videos how one can more naturally represent a setting through the use of perspective and compositional framing, matching the natural rhythms of a setting through editing and motion, and being conscious of the viewers sense of placement in a space. I intend to visually demonstrate how a more organic, situated, and less Hollywood-style of interpreting nature can lead to a deeper and more meaningful appreciation of it.
| Identifer | oai:union.ndltd.org:ucf.edu/oai:stars.library.ucf.edu:etd-6254 |
| Date | 01 January 2016 |
| Creators | Rosalle, Rashaad |
| Publisher | STARS |
| Source Sets | University of Central Florida |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Electronic Theses and Dissertations |
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