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Minimalism, Exoticism, and Alternatim in Tarik O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above

Abstract

British composer Tarik Hamilton O’Regan is a significant choral composer of the early twenty-first century. O’Regan’s Magnificat and Nunc Dimittis and The Ecstasies Above exhibit two notable compositional techniques: minimalism influenced by Steve Reich and exoticism representing Balinese gamelan and Andalusian music. Additionally, Reich joins the technique of minimalism with the Renaissance practice of alternatim. The examination of these works will demonstrate the application of these two compositional techniques and how he integrates them into a textural context to evoke specific historical and cultural practices. Furthermore, this study will provide guidelines for researching and performing O’Regan’s choral works by explaining O’Regan’s stylistic characteristics.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc103301
Date12 1900
CreatorsChoi, Sangyun
ContributorsMcCoy, Jerry, Morscheck, Stephen, Sparks, Richard
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Choi, Sangyun, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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