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Strategies in Acting for Operatic Performance: Empowering the Powerful

This thesis intends to explore the strategies, consequences and goals of acting in one of the most celebrated western artforms: opera. Told primarily through a first person narrative, and project based, the research of this piece culminated in three semesters teaching Oprea Workshop through Boyer School of Music at Temple University. Research methods included: Directing work before graduate school; Interviews and surveys with collaborators;Personal observation; and Scholastic work surrounding historic acting teachers.
The main finding: My goals as a director and educator mimic many of the acting teachers before me: to connect gestures to the internal life of the performer and to strive towards a more perfect amalgamation of music text and stagecraft in presenting both new work and inherited repertoire for opera.
I found disparities not in the goals, but in the “how”. My findings through my work are that the “how” is in bravery, kindness, and empowerment of the singer. Through scaffolded and varied techniques, each performer can cultivate their own collaborative strategies when developing characters and integrating movement into their vocal performances and storytelling. An empowered singer is an effective singer that can live and advocate for better art holistically in this world. / Theater

Identiferoai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/6568
Date January 2021
CreatorsKruger-Springer, Rose, 0000-0003-0348-3258
ContributorsGiamatti, Marcuss, 1961-, Reynolds, Peter R., McShaffrey, Brandon
PublisherTemple University. Libraries
Source SetsTemple University
LanguageEnglish
Detected LanguageEnglish
TypeThesis/Dissertation, Text
Format93 pages
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Relationhttp://dx.doi.org/10.34944/dspace/6550, Theses and Dissertations

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