Rogier van der Weyden's Miraflores Altarpiece (c. 1440) was installed in the Carthusian Monastery of Miraflores, Castile, during a period when early rosary meditation cycles were gaining popularity, particularly amongst Carthusians. This previously unexplored historical context offers a rationale for the innovative iconographic content and structure of the work, as well as for the ways in which it had meaning for its viewers. Like early rosary meditations, the Miraflores Altarpiece combines diverse meditational cycles including life of Christ and the Virgin narratives with the tripartite division of the Marian Psalter. The altarpiece has much in common with the later standardized form of the rosary, which indicates that this format had much earlier roots than had been thought previously. The Miraflores Altarpiece contributes to our understanding of the way visual media participated in the rosary tradition, and of the ways that tradition developed and changed over the fifteenth and sixteenth centuries. / Art History
Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/2394 |
Date | January 2012 |
Creators | Sinclair, Nicola K. |
Contributors | West, Ashley D., Bolman, Elizabeth S., 1960-, Bolman, Elizabeth S., 1960- |
Publisher | Temple University. Libraries |
Source Sets | Temple University |
Language | English |
Detected Language | English |
Type | Thesis/Dissertation, Text |
Format | 147 pages |
Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
Relation | http://dx.doi.org/10.34944/dspace/2376, Theses and Dissertations |
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