This portfolio of compositions is a logbook on how trans-disciplinary collaboration, gestural embodiment of sound and social context influenced my work as a composer between 2008 and 2013. In most pieces, community based environments with experts in fields other than music were crucial to explore new sound worlds and creative processes beyond my solely scope. While music composition is traditionally a lonely act, this collaborative approach allowed me to repeatedly answer two questions that fascinate me: How can other fields of knowledge inform music? And: How can music inform other fields of knowledge? In some cases, I even used the score to foster transdisciplinary collaboration, like in "Nadir" and "Bisbiglio Qualcosa en el mio Orecchio" where collaboration between musicians and non-musicians is necessary. / Music
| Identifer | oai:union.ndltd.org:harvard.edu/oai:dash.harvard.edu:1/12274141 |
| Date | 06 June 2014 |
| Creators | Barroso Merino, Edgar Arturo |
| Contributors | Tutschku, Hans, Czernowin, Chaya |
| Publisher | Harvard University |
| Source Sets | Harvard University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Rights | open |
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