The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to create that Designers vision. This project included two productions set in adjacent time-periods. The first step in the process was to research millinery fashions from 1910 through 1927 thus encompassing the time-periods set for each production. This research included the prevailing fashions of the day, the available materials, fabrics, and techniques employed in creating millinery. The next step involved meeting with each Costume Designer to assess the projected millinery requirements for each production. Although modern materials and fabrics are different from their historical counterparts, the actual creation of the millinery for each production employed many of the same techniques used during the time-periods in question. While exact historical representation is not the overall goal in theatrical millinery a complete understanding of historical materials and techniques can aide in a pleasing impression of a given era.
| Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-04162010-152611 |
| Date | 26 April 2010 |
| Creators | Hathaway, Michelle L. |
| Contributors | Bussolati, Eugene, Murphy, James, Fisher, Billie Jo |
| Publisher | LSU |
| Source Sets | Louisiana State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lsu.edu/docs/available/etd-04162010-152611/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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