Alexander Scriabin (1872-1915) composed primarily for his instrument, the piano. He did, however, compose five major works for orchestra and a piano concerto. Scriabin's last work for orchestra, Prometheus: Poem of Fire, Op. 60 (1910), exemplifies his mature compositional style. The purpose of this dissertation is to contribute a solo transcription of Prometheus to the piano's rich literature in that genre. Furthermore, the dissertation aims to identify and examine the problems encountered in transcribing this work for solo piano and the decision-making that led to musically acceptable solutions. Throughout the process of arrangement, one major question became apparent: What informs the transcription? In turn, this question and its numerous answers served as a guide during the transcription's realization and are the focus of the project.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc2179252 |
| Date | 07 1900 |
| Creators | Powell, Ted |
| Contributors | Wodnicki, Adam, May, Andrew, Harlos, Steven |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Powell, Ted, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Page generated in 0.0018 seconds