Film screenings in painting In his theoretical work and film storyboard artwork I had the opportunity to prepare the philosophical basis for the practical part of the thesis. I was inspired by many authors with different approaches to film and film footage contemplation. For me as a creator, it was important to work with what is well-known. I dealt with the question of whether he could reality that surrounds us, filmic look when she make her over. After previous experience of seeing the painting, which draws on the film composition and borrowing of foreign ideas, I decided - as well as a film director - search for compositions which can be seen in the reality around us. Following my bachelor thesis, which was purely monochromatic cycle, I now chose a color theme and I returned to the activities that precede the making of the film. Our eye can function as a film lens. A seemingly ordinary reality is for me a pretext for building atmospheric film scene. For a long time I wore a camera with me, which was ready to use the moment I discovered an interesting space or situation. Patterns for paintings I naturally found in my travels around the city. I specifically sought location, which could be part of an imaginary film. For me, the composition under sunny streets huddled different feeling and unfinished, something that comes and works below the surface of each image in parallel. I hope linking reality and personal paintings will boost the atmosphere as value added. Name Film screenings in painting refers to the vocabulary filmmakers, the author looks at the experiences around film composition. In my work I wanted to simulate the Czech local, peculiar atmosphere of the place. During the work, there was a change from the original plan, and that the originals are really own, nevypůjčené. Heroes paintings are everyday people with their personal stories. However, there is a blending and assimilation of different film genres. For example, an image with the workers and the working machine has a compositional compliance with the sci-fi film, light and story recall something that we could ever see. Compared painters who have the means to extensive designed templates, I worked with a range that can be found only through accurate observation of reality. Construction patterns and Figures, therefore, actor scene, I could not prepare in advance. I counted with the fact that something interesting camera ready to capture and scene appeared before me. A crucial part of the process of my work was therefore observation and effort as possible to capture the genius loci.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:232386 |
| Creators | Lorenz, Petr |
| Contributors | Sobotka, Jiří, Mikyta, Svätopluk |
| Publisher | Vysoké učení technické v Brně. Fakulta výtvarných umění |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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