The present PhD thesis examines the reception of Humanism and the Renaissance in Czech print culture between 1476 and 1547. Critically, it opposes the predominant interpretation line that - from National Revival to post-war marxist literary criticism - tried to preserve at all costs a magnificent picture of the 16th century as a "golden age". The study is based on Petr Voit's recent works on Czech book printing of the first half of the 16th century and follows the reception of Humanism and the Renaissance from a complex point of view (printers' profiles, typography, illustrations and ornaments, readers' reception). The analysis shows that during the period under review, the Czech society, which predominantly professed a reformed confession (utraquism, lutheranism, the Unity of Brethren...), lived in a self-centered religious messianism, and therefore rejected any cultural novelties, especially those coming from Italy as the hometown of the hated papacy. Book printing largely reflected the conservatism and moral rigorism of this mainly utraquist society that ignored the entertainment literature, considered unnecessary or even undesirable. In this rigid religious scheme, the Renaissance literary genres (Petrarchan poetry, novella, epic poem, etc.) and the humanist text-critical approach to ancient...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:383861 |
| Date | January 2018 |
| Creators | Fernández Couceiro, Eduardo |
| Contributors | Voit, Petr, Pelán, Jiří, Halama, Ota |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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