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慕知音:梅爾維爾《克萊柔》中對男性情誼的渴望 / Yearning for a Friend: the Desire for Male Intimacy in Melville's Clarel

本文重在分析梅爾維的史詩《克萊柔:聖地朝之》中表現對男性 情誼的渴望。男性是間一種深刻友從心理以及精神層面來看,渴望這種情誼與男同性愛類似,但是前者無關欲的。舉個例子《白鯨記》 渴望這種情誼與男同性愛類似,但是前者無關欲的。舉個例子《白鯨記》 中以實瑪利對魁格的感情就更適合稱作男性誼而非同愛。本文認爲,克萊柔對西利歐( Celio)和薠( Vine)的渴慕純粹是精神上,而他對那 )的渴慕純粹是精神上,而他對那 個對那里昂青年( the Lyonese)卻毫無渴慕之情可言。這個觀點跟很多學者前 卻毫無渴慕之情可言。這個觀點跟很多學者前 輩們的觀點不同,他認爲克萊柔對男性情是跟欲望沾邊。本文指出他們之所以得出 這種結論是由於沒有從整體上去把握首詩。他們抓住了一些 模糊的表述,卻忽略了這些與上下文關係。本對首詩分析會格外注意它的完整性。同時,本文也會借助一些外材料比如艾默生章、霍桑的小説 、梅爾維的通信以及他另外一首詩 《歡會之後 》(“After the Pleasure Party”)。本文的論述主要分 爲四個部,大致跟這首詩的四個部分吻 合 / This paper discusses the desire for male intimacy in Melville’s epic Clarel: A Poem and Pilgrimage in the Holy Land. Male intimacy is intense friendship, the desire for which partakes of spiritual and psychological aspects of homosexual desires but differs from them in that it is not sexual. As an indicative instance, the relationship between Ishmael and Queequeg is more appropriately called “male intimacy” than “the homosexual.” This paper argues that Clarel’s yearning for Celio and Vine is purely spiritual and that the Lyonese is not an object of desire for Clarel. This view is a challenge to many earlier critics’ belief that Clarel’s spiritual pursuit is tinged with eroticism. Their belief, as this paper will demonstrate, results from a limited reading of the poem. That is, they insist on some ambiguous statements without enough regard to the context. This paper attempts to read Clarel closely and comprehensively. It will resort to some external texts, such as Emerson’s writings, Hawthorne’s novels, and Melville’s correspondence, as well as his poem “After the Pleasure Party.” The body of this paper matches the structure of the poem: the four chapters correspond respectively to its four parts.

Identiferoai:union.ndltd.org:CHENGCHI/G1045510221
Creators童小偉, Tong, Xiaowei
Publisher國立政治大學
Source SetsNational Chengchi University Libraries
Language英文
Detected LanguageEnglish
Typetext
RightsCopyright © nccu library on behalf of the copyright holders

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