本篇論文旨在探究列寧與史達林統治期間，蘇聯電影之濫觴與發展。文中首先詳論蘇聯電影形成之時代背景與特殊使命，說明電影傳入俄國之初，正值布黨握權未久，民心浮動之際，列寧與史達林如何善用電影高可塑性及易於大量複製之特色，進行政策宣導與掃盲教育，不僅積極為共黨樹立領導威信，更塑造政權繼承之合法性。
1917年十月革命之後，蘇聯共黨首重電影工業之管理，從1919年列寧將電影工業收歸國有起，至1953年史達林去世為止，蘇聯電影機構與管理階層不斷改組，權力集中。與其他各國娛樂商業影片相較，蘇聯電影濃厚之政治色彩與實用功能，風格自異。
蘇聯電影在歷經戰時共產主義、新經濟政策、社會主義寫實主義、二次世界大戰等不同階段的政策洗禮後，除呈現一系列歌功頌德的樣板影片外，亦在重重監檢制度與狹窄創作空間下迸發令人驚嘆的藝術成就，如庫列雪夫、愛森斯坦、普多夫金、杜甫仁科等大師的電影蒙太奇理論，又如他們結合政治現實與藝術理想之社會寫實創作。蘇聯電影不僅成功整合政治宣傳，鼓舞民心士氣，更於拍攝技巧和視覺美學上，創造出彌足珍貴的藝術語言，為本論文提供豐富且堅實之藝術佐證。 / This dissertation mainly discussed the development of Soviet Cinema under Soviet Socialist ideology during Lenin & Stalin period from 1917 to 1953. First came into its historical background and special mission: cinema came into Russia in early 20th century while Revolutionaries just grabbed power, Lenin and Stalin wisely used the characteristics of high plasticity and massive reproduction in films to propagandize their political policy and to educate the overwhelmingly illiterate peasant masses. Not only did Soviet Cinema build reputation for Soviet Communists, it also helped to legalize the regime of Bolsheviks.
After the 1917 Revolution, Bolsheviks first pay their attention to the management of film industry. From 1919 Lenin took over the whole Soviet film industry and made it nationalized to 1953 Stalin passed away, Soviet film department had been gone through process of constant reshuffles and power centralization. To compare with the entertaining and commercial film industry in other countries, Soviet Cinema is unique for its strong political color as well as its pronounced pragmatic function.
After baptizing itself through the policy changes during the different political Stages in Wartime Communism, New Economic Policy, Socialist Realism, plus Second World War, in addition to a series of complimentary stereotype films, Soviet Cinema, under layer upon layer censorship and cramped creative room, still spurted its astonishing artistic achievements to the world: the Montage film theory developed by Kuleshev, Eisenstien, Pudovkin and Dovzhenko, the masterpieces of social and realistic creation which demonstrate sophisticate combination of political reality and artistic idealism. Soviet cinema played a successful role in integrating the political propaganda with encouraging the massed; furthermore, it also create the precious artistic languages in the shooting skills and visual aesthetics, all these apply the rich and profound artistic evidences for this dissertation.
| Identifer | oai:union.ndltd.org:CHENGCHI/A2002001663 |
| Creators | 蘇家玉, Su, Chia-Yu |
| Publisher | 國立政治大學 |
| Source Sets | National Chengchi University Libraries |
| Language | 中文 |
| Detected Language | English |
| Type | text |
| Rights | Copyright © nccu library on behalf of the copyright holders |
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