The thesis repeats a becoming of difference and Otherness. It seeks to fold, refold and unfold an Otherness of representation. Attention is given to the core process of becoming. A disrupted pattern is maintained throughout and, sometimes, this takes the form of a labyrinth produced by an assemblage of inversions and pseudonymous writings. In this way, linear and hierarchical ordering and organization is strongly contested. A textual multiplicity is affirmed, which challenges orthodox organizational thought and conventional philosophy based on the repetition of the same, similar and identity. Experientially, immanence is made material for form an image of thought with fragments, fluctuating speeds and intensities. These folds produce four middles of thought. These arrangements of multiplicities and singularities explicate, implicate and attend to the participation of the Other. The movement is productive of inclusive Heterotopic spaces that are, at once, hospitable to the arrivante, nomads and the repetition of difference. Other theoretical developments are accommodated that address the Eternal Return, autonomy, chance, multitudes, hospitality and the folds of the inside and the outside. The Otherness of Art and Eastern thought are brought forth within the poesis of the thesis. A paradox addressed, amongst others, concerns alterity and the manner in which the thesis has and can be presented, and/or re-presented, to make clear an immanence and socially productive image of thought, which seeks only a repetition of difference.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:431974 |
| Date | January 2005 |
| Creators | Sen, Arko |
| Publisher | University of Leicester |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://hdl.handle.net/2381/31115 |
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