This dissertation avers that the circulation of manuscript copies and printed editions of the works of Ramon Llull had a key role in Iberian cultural history and signaled a shift from a Christian logic of conversion to a universal key for organizing all the disciplines of knowledge. As copies of Ramon Llull’s manuscripts traveled from the Black Forest, Majorca, and Paris to be housed in the libraries of early modern institutions, such as the Colegio de San Ildefonso and the Monastery of El Escorial, they formed what I call portable archives of the Art. By reading the inventories of the libraries of these institutions, along with copies of the works of Ramon Llull preserved at the Escorial, the Biblioteca Nacional de Madrid, and the University of Freiburg, my dissertation combines the study of the place of Ramon Llull in the medieval history of ideas and the material features of said portable archives. My dissertation contributes to history of the book studies as it examines a unique case among medieval traditions and shows that the compilation of manuscripts and the elaboration of printed editions repurpose the original idea of the Art. I work with primary sources in Latin, Catalan, Spanish, and Portuguese, attributed to Ramon Llull and to other authors, to trace his influence on early modern authors, such as Pedro de Guevara, Juan de Herrera, Diego de Valadés, and João de Barros.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/D8WM1RTJ |
| Date | January 2017 |
| Creators | Blanco Mourelle, Noel |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
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