The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents
used in the study, and transcriptions of representative musical compositions.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc332450 |
Date | 12 1900 |
Creators | Murray, Russell Eugene |
Contributors | Brothers, Lester Dwayne, 1945-, Adkins, Cecil, Rivera, Benito V., 1936-, Collins, Michael (Michael B.), 1930-2011, Painter, William E. |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | ix, 211 leaves : ill., Text |
Coverage | 1500~-1599~ |
Rights | Public, Murray, Russell Eugene, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Relation | The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1, ark:/67531/metadc331433 |
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