This thesis is an examination of Charles I of England’s projection of kingship
through Sir Anthony van Dyck portraits during his personal rule. These portraits provide
important insight into Charles’ vision of kingship because they were commissioned by
the king and displayed at court, revealing that his kingship rested on complementary
ideals of traditional kingship in addition to divine right. In this thesis, Charles’ van Dyck
portraits are studied in the context of seventeenth-century ideals of paterfamilias, knight,
and gentleman. These ideals provide important cultural narratives which were seen to be
reflective of legitimacy, power, and masculinity, which in turn gave legitimacy to
Charles’ kingship. The system of values and ideals represented in Charles’ portraits
reveal that his vision of kingship was complex and nuanced, demonstrating that divine
right was just one aspect of many, upon which his kingship was premised. / viii, 164 leaves : [18] leaves of color plates ; 29 cm
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:ALU.w.uleth.ca/dspace#10133/3370 |
| Date | January 2013 |
| Creators | Lawrence, Clinton Martin Norman |
| Contributors | Nugent, Janay, Greenshields, Malcolm |
| Publisher | Lethbridge, Alta. : University of Lethbridge, Dept. of History, c2013, Arts and Science, Department of History |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | en_CA |
| Detected Language | English |
| Type | Thesis |
| Relation | Thesis (University of Lethbridge. Faculty of Arts and Science) |
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