Au, Sau-woon Rebecca. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 100-104). / Abstracts in English and Chinese. / Chapter A --- Abstract --- p.iii / Chapter B --- List of Examples --- p.v / Chapter C --- List of Tables --- p.vii / Chapter Chapter 1 --- Introduction --- p.1 / Chapter 1.1. --- Messiaen's Tristan Trilogy --- p.2 / Chapter 1.2. --- The two treatises --- p.3 / Chapter 1.3. --- Rhythmic characters / techniques --- p.4 / Chapter 1.4. --- Objectives and scope --- p.4 / Chapter 1.5. --- Other related studies --- p.5 / Chapter Chapter 2 --- Issues on Rhythmic Analysis in Messiaen's Music --- p.7 / Chapter 2.1. --- Duration pattern vs time-point patterns --- p.7 / Chapter 2.2. --- Polyrhythm --- p.13 / Chapter 2.3. --- Treatment of silences (rests) --- p.16 / Chapter 2.4. --- Other dimension of rhythm --- p.18 / Chapter Chapter 3 --- Rhythmic Characters --- p.21 / Chapter 3.1. --- Messiaen's definition --- p.22 / Chapter 3.1.1. --- Conversation with Claude Samuel --- p.22 / Chapter 3.1.2. --- Notes on recordings --- p.24 / Chapter 3.1.3. --- "Traite de rythme, volume I" --- p.25 / Chapter 3.1.4. --- "Traite de rythme, volume II" --- p.27 / Chapter 3.2. --- Alternative reading to Messiaen's interpretation of rhythmic characters --- p.29 / Chapter 3.3. --- "Controversy in Messiaen's analysis of ""Sacrificial Dance""" --- p.31 / Chapter 3.4. --- Relationship between rhythmic characters and Messiaen's other rhythmic techniques --- p.40 / Chapter 3.4.1. --- "Added values, augmentation (active) and diminution (passive)" --- p.40 / Chapter 3.4.2. --- Non-retrogradable rhythm --- p.42 / Chapter 3.4.3. --- Rhythmic canons --- p.43 / Chapter Chapter 4 --- Turangalila symphonie --- p.45 / Chapter 4.1. --- "Third Movement, ""Turangalila I""" --- p.45 / Chapter 4.2. --- "Seventh Movement, Turangalila II" --- p.51 / Chapter 4.3. --- "Fifth movement, Joie du sang des etoiles" --- p.58 / Chapter Chapter 5 --- Harawi and Cinq Rechants --- p.67 / Chapter 5.1. --- Harawi --- p.67 / Chapter 5.1.1. --- "Eighth song, ""Syllabes""" --- p.67 / Chapter 5.1.2. --- "Third song, ""Montagnes""" --- p.71 / Chapter 5.1.3. --- "Twelfth song, ""Dans le noir""" --- p.74 / Chapter 5.1.4. --- "Seventh song, ""Adieu""" --- p.77 / Chapter 5.2. --- Cinq rechants --- p.78 / Chapter 5.2.1. --- First rechant --- p.79 / Chapter 5.2.2. --- Second rechant --- p.83 / Chapter 5.2.3. --- Third rechant --- p.84 / Chapter 5.2.4. --- Fourth rechant --- p.88 / Chapter 5.2.5. --- Fifth rechant --- p.89 / Chapter Chapter 6 --- Summary and Conclusion --- p.91 / Table of Content of Technique de mon langage musical --- p.94 / "Table of Content of Traite de rythme, de couleur, et d'ornithologie" --- p.95 / English Translation of Messian's Discussion of Rhythmic Characters in Traite --- p.96 / Discography --- p.98 / Bibliography --- p.100
| Identifer | oai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_324946 |
| Date | January 2004 |
| Contributors | Au, Sau-woon Rebecca., Chinese University of Hong Kong Graduate School. Division of Music. |
| Source Sets | The Chinese University of Hong Kong |
| Language | English, Chinese |
| Detected Language | English |
| Type | Text, bibliography |
| Format | print, vii, 104 leaves : music ; 30 cm. |
| Rights | Use of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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