This thesis presents an examination of the development of form and style in eighteenth century Salzburg church music, through a study of the church works of four main composers - Johann Ernst Eberlin (1702-62), Leopold Mozart (1719-87),. Anton Cajetan Adlgasser (1729-77) and Johann Michael Haydn (1737-1806). An introductory chapter fills in the background to this period in Salzburg's musical history* after 'which the chapters are devoted respectively to the Mass, the Requiem, the Litany, Vespers, and the Gradual and Offertory, In the final chapter, an assessment is made of the Salzburg church music of Wolfgang Amadeus Mozart, in the light of the preceding chapters, when his close alliance with local tradition in matters of form and style is evident. Editions of the following works are also provided; ¦tLs!1 ann Ernst Eberlin Gradual; Chnstus factus est Requiem in D minor Vesperao de Dominica Loopold Mozart Missa in Gd Anton Cajetan ftdlgasser Missa in Am Johann Michael Haydn Litaniae de S.S. Nomine Jesu.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:593028 |
| Date | January 1972 |
| Creators | Maitland, Alison I. |
| Publisher | University of Aberdeen |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU381993 |
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