The title of the piece is Sanskrit, and derives from Tibetan Buddhism (of which I am a practitioner). It is usually translated as 'wheel of time', or 'time-cycles'. The Kalachakra tradition represents a vast and profound body of teachings on the nature of time and the cosmos. Its central image is that of reality as a system of interlocking and interdependent time-cycles or 'wheels', from the cosmic scale of the stars, planets and seasons right down to the intimate periodicities of the human body: 'As above, so below'. This 'macrocosm-microcosm' time-structure is what I have tried to reflect in my piece. The piece is not meant, however, as a literal musical description of this cosmological model: rather it should be viewed as a metaphor, a parallel but ultimately musical process, obeying purely musical laws of attraction and repulsion, creation and destruction. Although Buddhism is not theistic in the conventional sense, it has a pantheon of sorts, with time personified in the form of the deity Kalachakra, a figure somewhat parallel to Shiva within the Hindu tradition ('Now I am become death, the destroyer of worlds'). If the piece is illustrative in any sense then it is illustrative of the creative and destructive processes at work in the universe, but viewed here in a special sense as the body and limbs of the Adi-Buddha ('Cosmic Buddha'), the deity Kalachakra.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:583861 |
| Date | January 2006 |
| Creators | Melen, Christopher |
| Publisher | Cardiff University |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://orca.cf.ac.uk/55607/ |
Page generated in 0.018 seconds