The ten works presented here were composed between early 2012 and early 2015. They chart a process of experimentation, development and clarification with regards to my personal approach to composition and share a broad set of musical ideas. The works are diverse in terms of forces, aesthetics and sound-worlds, but are unified by the application of musical dialectics that can be metaphorically traced back to the investigation of human perception, an interest which ultimately derives from my experiences as a performer of notated and improvised music. This investigation is represented practically, descriptively, and metaphorically in various ways across the folio. This is not a scientific study: my own curiosity about the conscious and unconscious processes which shape one’s perception of the world provided a starting point for the construction of a set of musical relationships. These formative dialectics may provoke a listener to think about perceptual phenomena, or they may have an entirely different effect.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:686523 |
| Date | January 2015 |
| Creators | Clarke, Desmond |
| Contributors | Suckling, Martin |
| Publisher | University of York |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.whiterose.ac.uk/12640/ |
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