This thesis examines the use of the voice in Kaija Saariaho's works composed between the years 1977 and 2000, including her first opera L 'Amour de loin (2000). The term 'voice' refers to all live, recorded and/or processed vocal sounds and synthesised sounds modelled on vocal timbres.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:491077 |
| Date | January 2008 |
| Creators | Oskala, Anni Katariina |
| Publisher | University of Oxford |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
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